A Quote by George Edward Woodberry

Mankind is the grandest and surest artist of all, and history as it clarifies is, in pure fact, an artistic process, a creation in its fullness of the beautiful soul. — © George Edward Woodberry
Mankind is the grandest and surest artist of all, and history as it clarifies is, in pure fact, an artistic process, a creation in its fullness of the beautiful soul.
Perhaps the history of the errors of mankind, all things considered, is more valuable and interesting than that of their discoveries. Truth is uniform and narrow; it constantly exists, and does not seem to require so much an active energy, as a passive aptitude of the soul in order to encounter it. But error is endlessly diversified; it has no reality, but is the pure and simple creation of the mind that invents it. In this field the soul has room enough to expand herself, to display all her boundless faculties, and all her beautiful and interesting extravagancies and absurdities.
The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
Each person may see a fight in different ways... They can see more to a primal way. Others they can see in a pure artistic way... For me I see the pure artistic way, the way that a true martial artist can show his art.
For a soul to come to Jesus, is the grandest event in its history.
Obedience is not creation, and thus can never produce salvation. Obedience is a response, while creation is pure choice, undictated, unrequired. Pure choice produces salvation through the pure creation of highest idea in this moment now.
Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).
What an artist does, is fail. Any reading of the literature, (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).
Any true musician, true artist, knows that when they're in that point of total artistic creation, whether on stage or in the studio or writing or whatever, that's the closest moment [to creation]. And that's what keeps all these people addicted to getting back to that moment again.
What does the artist do? He draws connections. He ties the invisible threads between things. He dives into history, be it the history of mankind, the geological history of the Earth or the beginning and end of the manifest cosmos.
The object of the artist is the creation of the beautiful. What the beautiful is is another question.
What the study of history and artistic creation have in common is a mode of forming images.
The process of creation becomes necessary to the painter perhaps more than is the picture. The process in fact is habit-forming
Art really has its source in the transcendent, the unmanifest field of pure consciousness, which is the non-changing, immortal field of all possibilities...When the awareness of the artist is in tune with this center of infinite creativity, his piece of art breathes fullness of life, nourishes the creator, the artist, and inspires his admirers with waves of bliss.
Anxiety is the essential condition of intellectual and artistic creation and everything that is finest in human history.
The revealed and mystic literature of mankind bears ample testimony to the fact that religious experience has been too enduring and dominant in the history of mankind to be rejected as mere illusion. There seems to be no reason, then, to accept the normal level of human experience as fact and reject its other levels as mystical and emotional.
I used to flirt with fundamentalism, and I had this idea that creation was something that happened. Now I see creation as something that is happening. Hundreds of millions of stars are still being born every day. Creation is an ongoing process. The Artist has not yet cleaned out the brushes. The paint is still wet. Human beings are the small clumps of clay and breath, and we have been handed brushes of our own, like young artist apprentices. The brushes aren't ours, nor the paint or canvas, but here they are in our hands, on loan. What shall we make?
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