A Quote by George Edward Woodberry

Seasonal changes, as it were, take place in history, when there is practically an almost universal death, a falling of the foliage of the tree of life. Such were the intervals between the ancient and mediaeval time, the mediaeval and the modern.
'It's this accursed Science,' I cried. 'It's the very Devil. The mediaeval priests and persecutors were right, and the Moderns are all wrong. You tamper with it-and it offers you gifts. And directly you take them it knocks you to pieces in some unexpected way.'
Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms.
The fashion just now is a Roman Catholic frame of mind with an Agnostic conscience: you get the mediaeval picturesqueness of the one with the modern conveniences of the other.
Americans also seem to believe that the monarchy is a kind of mediaeval hangover, encumbered by premodern notions of decorum; the reality is that the British monarchy, for good or ill, is a modern political institution - perhaps the first modern political institution.
I am not an artist and never have been. Rather I am like a craftsman and feel very close to the mediaeval artisans who produced their work anonymously and who, along with their apprentices, had a true feeling for the physical materials they were working with.
Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today.
The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.
I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.
The times are so peculiar now, so mediaeval so unreasonable that for the first time in a hundred years truth is really stranger than fiction. Any truth.
[On the ancient Venus figurines:] If the central religious figure was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life - rather than death and the fear of death - were dominant in society as well as art.
Like practically everyone who grew up in Miami, I knew little about its history. We were more worried about mangoes falling on our cars.
But the history of the changes produced by a universal idea is not a history of changes in the individual, but of changes brought about by the successive efforts of millions of individuals in the course of many generations.
As to honor - you know - it's a very fine mediaeval inheritance which women never got hold of. It wasn't theirs.
It seems to me that if you were to take almost any half-century in history, you'd find a grand societal tug-of-war between the community and the individual.
I was burned out, and my wife and I were having our first kid, so I wanted to take some time off. In this business, if you take too long, the landscape changes. So the opportunities that were there when I decided to take a break weren't there when I came back.
Every one who has a heart, however ignorant of architecture he may be, feels the transcendent beauty and poetry of the mediaeval churches.
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