A Quote by George Edward Woodberry

Art has a double visage: it looks before and after. Romance is its forward-looking face. The germ of growth is in romanticism. Formalism, on the other hand, consolidates tradition; gleans what has been gained and makes it facile to the hand or the mind; economizes the energy of genius.
When you talk about change, you know what makes it really tough for people is on the one hand you've got tradition, and on the other hand you've got change; in many people's mind, change equals modernization. Tradition, however. I'm a big tradition guy.
For ages past the Genius of Literature and the Genius of Art have walked together hand in hand. For the Goddess of letters is blind, and only she of Art can lend her sight.
But it is certainly not possible to insist on one hand that the formalism is complete and to insist on the other hand that its application to 'the actual' actually demands a step which cannot be derived from it.
We can talk about the value of sportsmanship on one hand, and on the other hand, the leading shots, highlights ... you see every night are the outrageous and unsportsmanlike, so I think there is a double standard here. On the one hand, we complain about it, on the other hand it's the first thing you see every night.
Yes, it's beautiful,' said Gilbert, looking steadily down into Anne's uplifted face, 'but wouldn't it have been more beautiful still, Anne, if there had been no separation or misunderstanding . . . if they had come hand in hand all the way through life, with no memories behind them but those which belonged to each other?
I have never been able to write with anything more than the left hand of my mind; the right hand has always been engaged in something to do with personal relationships. I don't complain, because I think my left hand's power, as much as it has, is due to its knowledge of what my right hand is doing.
I thought about that the other day after I went to the grocery store and had to sign fifteen autographs before leaving. On one hand, it's just so flattering. On the other hand, sometimes it would be nice to get the bread and leave, you know?
I think looking after your mental and physical health is key to confidence, because they go hand in hand. Meditation, doing some yoga, working out always makes me feel more confident in my own skin.
I'm not obsessed by how I look or with being reed thin, but I do think that as a woman in my 50s, I have 40 years ahead. Looking after yourself goes hand in hand with looking good.
The hand that guides the brush has already caught and executed what floated before the mind at the same moment the mind began to form it, and in the end the pupil no longer knows which of the two-mind or hand -was responsible for the work.
The "germ," wherever gathered, has ever been for me, "the germ of a story," and most of the stories strained to shape under my hand have sprung from a single small seed, a seed as remote and windblown as a casual hint.
Men give me credit for some genius. All the genius I have lies in this; when I have a subject in hand, I study it profoundly. Day and night it is before me. My mind becomes pervaded with it. Then the effort that I have made is what people are pleased to call the fruit of genius. It is the fruit of labor and thought.
I've always been into dressing and being stylish because I feel like that's where I gained a lot of my confidence and swag as a rapper, so fashion goes hand-in-hand with music to me.
It seems significant that according to quantum physics the indestructibility of energy on one hand which expresses its timeless existence and the appearance of energy in space and time on the other hand correspond to two contradictory (complementary) aspects of reality. In fact, both are always present, but in individual cases the one or the other may be more pronounced.
A person looking after a frail former lover is not working and not contributing to economic growth. But if he or she stopped, the state would probably have to take over, thereby adding to growth. So, to increase growth, we should stop looking after our loved ones. Could anybody explain to a passing Martian how this makes sense?
There's a definite connection in terms of objects at hand - dealing with objects or material at hand. Pop art was very much enamored with popular imagery, and popular imagery was of course available and at hand. And land art was also using what was at hand.
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