A Quote by George Eliot

I carry my unwritten poems in cipher on my face! — © George Eliot
I carry my unwritten poems in cipher on my face!
The spiritual quality of earth: eternally pregnant and containing in its fertility the unwritten cipher of cosmic lore.
Nobility of birth is like a cipher; it has no power in itself, like wealth or talent; but, it tells with all the power of a cipher when added to either of the other two.
I'd trapped myself in a script.... But to be scripted at all is to be prepackaged, programmed, pinned to a page. Only the unwritten can truly live a life. So who I was, what I was, had to be unwritten.
Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also call "dismantling delusion." I think that after I dismantle my female body, I can finally dismantle established lyric poems.
These are the men who, without virtue, labour, or hazard, are growing rich, as their country is impoverished; they rejoice, when obstinacy or ambition adds another year to slaughter and devastation; and laugh, from their desks, at bravery and science, while they are adding figure to figure, and cipher to cipher, hoping for a new contract from a new armament, and computing the profits of a siege or tempest.
I'll carry on, carry over, carry forward, Cary Grant, cash and carry, carry me back to Old Virginia, I'll even 'hari-kari' if you show me how, but I will not carry a gun!
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
I used to carry about with me a German map-case filled with poems.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
Looking at the poems of John Gray when I saw the tiniest rivulet of text meandering through the very largest meadow of margin, I suggested to Oscar Wilde that he should go a step further than these minor poets; he should publish a book all margin; full of beautiful, unwritten thoughts.
Contemplation is a very dangerous activity. It not only brings us face to face with God. It brings us, as well, face to face with the world, face to face with the self. And then, of course, something must be done. Nothing stays the same once we have found the God within…. We carry the world in our hearts: the oppression of all peoples, the suffering of our friends, the burdens of our enemies, the raping of the Earth, the hunger of the starving, the joy of every laughing child.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
Poems don't have to rhyme... Poems are about beauty and emotion; in other words poems are about feelings.
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