A Quote by George Eliot
Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress.
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Taylor clapped three times for attention. "Ladies! Ladies! My stars! That's enough. Now. We all know Miss Arkansas's girls are fake, Miss Ohio's easier than making cereal, and Miss Montana's dress is something my blind meemaw would wear to bingo night." - "Beauty Queens
Without the great arts which speak to the sense of beauty, a man seems to me a poor, naked, shivering creature. These are his becoming draperies, which warm and adorn him.
There are two kinds of beauty; there is a beauty which God gives at birth, and which withers as a flower. And there is a beauty which God grants when by His grace men are born again. That kind of beauty never vanishes but blooms eternally.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
The first dress that I wore in the Spice Girls, which everybody thought was a little black Gucci dress, was actually from Miss Selfridge - it wasn't a little black Gucci dress.
Beauty itself soon fades, and when a woman has beauty and nothing else, well, it's like putting all the goods in the shop window, isn't it? And the moment she loses her good looks-poor creature! what is she? Just a mere bit of faded finery to be thrown aside.
What profession is more trying than that of author? After you finish a piece of work it only seems good to you for a few weeks; or if it seems good at all you are convinced that it is the last you will be able to write; and if it seems bad you wonder whether everything you have done isn’t poor stuff really; and it is one kind of agony while you are writing, and another kind when you aren’t.
Besides, Rose Bradwardine, beautiful and amiable as we have described her, had not precisely the sort of beauty or merit which captivates a romantic imagination in early youth. She was too frank, too confiding, too kind; amiable qualities, undoubtedly, but destructive of the marvellous, with which a youth of imagination delights to dress the empress of his affections.
THE SLOW ARROW OF BEAUTY. The noblest kind of beauty is that which does not transport us suddenly, which does not make stormy and intoxicating impressions such a kind easily arouses disgust but that which slowly filters into our minds.
But the poor person does not exist as an inescapable fact of destiny. His or her existence is not politically neutral, and it is not ethically innocent. The poor are a by-product of the system in which we live and for which we are responsible. They are marginalized by our social and cultural world. They are the oppressed, exploited proletariat, robbed of the fruit of their labor and despoiled of their humanity. Hence the poverty of the poor is not a call to generous relief action, but a demand that we go and build a different social order.
It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.
There was no welfare state, and people had to rely mainly on the Poor Law - that was all the state provided. It was very degrading, very humiliating. And there was a means test for receiving poor relief.
I know I'm not a woman's fantasy man; I don't have to uphold this image of male beauty, so that's kind of a relief in a way.
Real beauty in the arts is eternal and would be accepted at all periods; but it wears the dress of its century: something of that dress clings to it, and woe to the works which appear in periods when the general taste is corrupted.
Beauty is in the eye of the beholder. Should the beholder have poor eyesight, he can ask the nearest person which girls look good. Beauty is in the hand of the beer holder. Beauty is in the heart of the beholder.
A lot of people have a hard time living out of a suitcase, being on the road constantly in different cities. For us it's just kind of what we do. You do get homesick. I miss my wife, I miss my home, I miss my dogs, I miss my kitchen, which is something I like to do outside of this is cook. You miss the simple things. But when you look at the big picture we get to see a crazy amount of cities and the people we get to meet, all over the world it kind of makes up for it. It makes you realize how lucky you are because it could be gone tomorrow you just never know.
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