A Quote by George Eliot

I have the conviction that excessive literary production is a social offense. ... Everyone who contributes to the 'too much' of literature is doing grave social injury.
Excessive literary production is a social offense.
I have the conviction that excessive literary production is a social offence.
In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one.
The social system grows rigid but the productive forces continue to expand, and conflict ensues between the forces of production and the social conditions of production.
Small businesses forget how to be social. Everyone tries to do social media when they should just try being social. To be successful with social media, you have to treat each individual person just like you would in real life by establishing a genuine connection with them.
Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
I know I've erred in the past putting too much of my social justice sentiments in comics, but hopefully not too much, and I tried to only do that with characters that it made sense with it. These days, with the 'social justice' aspects of the two books I write, 'Catwoman' and 'Katana,' the concerns are more about moral justice.
I haven't the stature to critique one of our literature's great novels, Tobias; and I'm not one of those who believe The Adventures of Huckleberry Finn needs critiquing for literary or social reasons.
We are all scrutinised. Everyone. Man, woman, everyone, especially if you are in the public eye in any way on social media. It's about doing you and not worrying too much about other things. Only worry about the things that are really worth worrying about.
Participant (Productions) is the only production company in town that has a double bottom line: social good plus financial returns. It's too early to tell how our returns are going to look - though all signs are promising - but social good is what we're really after.
I've always been interested in the social conflict of my age, my own time, as well as the result of positive and negative of social change, and the ongoing quest we all have, from the cradle to the grave, for identity.
Social media is something of a double-edged sword. At its best, social media offers unprecedented opportunities for marginalized people to speak and bring much needed attention to the issues they face. At its worst, social media also offers 'everyone' an unprecedented opportunity to share in collective outrage without reflection.
Through the Social Enterprise Demonstration Fund, we are connecting high-potential social enterprises with the resources they need to grow and create jobs. This not only contributes to a fairer, more prosperous province; it also helps position Ontario as a global impact investment leader.
What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism .
Economic policy and foreign policy in Europe have been too liberal. We have failed when it comes to maintaining the social contract, which is the very foundation of the social-democratic social model.
Done correctly, everyone from individual speakers to large organizations can inspire citizens and customers to spread a message using their own social channels, and in so doing, inspire countless supporters to build their reputation, profits and social impact.
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