A Quote by George Eliot
It is very hard to say the exact truth, even about your own immediate feelings – much harder than to say something fine about them which is not the exact truth.
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Falsehood is so easy, truth so difficult. Even with no motive to be false, it is very hard to say the exact truth.
More and more, and especially over the last two decades, we've found out how many conspiracies there actually are. We really don't know the exact truth about a lot of things. We know there are big things going on involving huge companies and industries, whether it's money involved or oil or things in their own country, but there are personal interests at play and it's a very well woven network that's hard to break down. Sometimes it is hard, for us, to know who is telling the truth.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
Although this may seem a paradox, all exact science is dominated by the idea of approximation. When a man tells you that he knows the exact truth about anything, you are safe in inferring that he is an inexact man. Every careful measurement in science is always given with the probable error ... every observer admits that he is likely wrong, and knows about how much wrong he is likely to be.
A thing may fail as a poem because it tries to do what a poem cannot do: it tries to become a treatise on cosmic truth... We can best be exact about the cosmic things - God and truth, beauty, eternity and love - by not talking directly about them.
The Bible is a wonderful book. It is the truth about the Truth. It is not the Truth. A sermon taken from the Bible can be a wonderful thing to hear. It is the truth about the truth about the truth. But it is not the truth. There have been many books written about the things contained in the Bible. I have written some myself. They can be quite wonderful to read. They are the truth about the truth about truth about the Truth. But they are NOT the Truth. Only Jesus Christ is the Truth. Sometimes the Truth can be drowned in a multitude of words.
It’s not enough to be able to lie with a straight face; anybody with enough gall to raise on a busted flush can do that. The first way to lie artistically is to tell the truth — but not all of it. The second way involves telling the truth, too, but is harder: Tell the exact truth and maybe all of it…but tell it so unconvincingly that your listener is sure you are lying.
The work of the artist is not so much what you say or what you know, it's recognizing what you know. That's what life is about. That's what photography is about. You see something, or you hear someone say something, and you say That is a truth. You know, deep in you. That's when you start shooting.
My feelings are not God. God is God. My feelings do not define truth. God’s word defines truth. My feelings are echoes and responses to what my mind perceives. And sometimes - many times - my feelings are out of sync with the truth. When that happens - and it happens every day in some measure - I try not to bend the truth to justify my imperfect feelings, but rather, I plead with God: Purify my perceptions of your truth and transform my feelings so that they are in sync with the truth.
Be skeptical, but not as a social position, not claiming to be so intelligent that you cannot believe what other people say. It's not about being right and making everybody else wrong. No, you are skeptical because you know without a doubt that everybody lives in their own story, and in their story they have their own truth. But it's only truth in their mind, just as your truth is only truth in your mind, and nobody else's.
I don't wanna say I'm anti-military as my mission is the exact opposite and I'm a unifying force. I'm there to show everybody that we're all the exact same.
In any war story, but especially a true one, it's difficult to separate what happened from what seemed to happen. What seems to happen becomes its own happening and has to be told that way. The angles of vision are skewed. When a booby trap explodes, you close your eyes and duck and float outside yourself. .. The pictures get jumbled, you tend to miss a lot. And then afterward, when you go to tell about it, there is always that surreal seemingness, which makes the story seem untrue, but which in fact represents the hard and exact truth as it seemed.
Because this exact leaf had to grow in that exact way, in that exact place, so that precise wind could tear it from that precise branch and make it fly into this exact face at that exact moment. And, if just one of those tiny little things had never had happened, I'd never have met ya. Which makes this leaf the most important leaf in human history
Women especially are trained to protect other people's feelings, and a lot of that involves not telling the truth even about the fundamental details of your own experiences and your own life.
I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.
If I seem detached or distant, it's because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, 'Well, at least this never happens to me.' I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
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