A Quote by George Eliot
There was no gleam, no shadow, for the heavens, too, were one still, pale cloud; no sound or motion in anything but the dark river that flowed and moaned like an unresting sorrow.
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Winter Song The browns, the olives, and the yellows died, And were swept up to heaven; where they glowed Each dawn and set of sun till Christmastide, And when the land lay pale for them, pale-snowed, Fell back, and down the snow-drifts flamed and flowed. From off your face, into the winds of winter, The sun-brown and the summer-gold are blowing; But they shall gleam with spiritual glinter, When paler beauty on your brows falls snowing, And through those snows my looks shall be soft-going.
Heavens, how charming it is! There is now in the sky only the soft vaporous color of pale citron - the last reflection of the sun which plunges into the dark blue of the night, going from green tones to a pale turquoise of an unheard-of fineness and a fluid delicacy quite indescribable.
I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.
The river is motion, turmoil, rage. As the river flows, it wonders what it would be like to be so still, to take a breath, to rest. But the rock will always wonder what lies around the bend in the stream.
I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried- "La Belle Dame sans Merci Hath thee in thrall!
My Nirvana experience was much different than the other three guys. For me, it was really new and exciting. I was just a guy from a punk rock band, thrown into this huge thing. There were dark periods, too. But there wasn't a dark cloud over the whole thing.
Time itself flows on with constant motion, just like a river: for no more than a river can the fleeting hour stand still. As wave is driven on by wave, and, itself pursued, pursues the one before, so the moments of time at once flee and follow, and are ever new.
I think of you often. Especially in the evenings, when I am on the balcony and it’s too dark to write or to do anything but wait for the stars. A time I love. One feels half disembodied, sitting like a shadow at the door of one’s being while the dark tide rises. Then comes the moon, marvellously serene, and small stars, very merry for some reason of their own. It is so easy to forget, in a worldly life, to attend to these miracles.
Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?
It was the tenderness mingled with melancholy which we bring to a time that belongs irrevocably to the past, when a pale, delicate shadow rises from it bearing the lilies of the dead, and in it we find a forgotten likeness to ourselves. And that faint, wistful shadow, that pale scent, seemed to vanish away into a wide, full, warm stream - the life that now lay open before him.
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.
The dark shadow we seem to see in the distance is not really a mountain ahead, but the shadow of the mountain behind - a shadow from the past thrown forward into our future. It is a dark sludge of historical sectarianism. We can leave it behind us if we wish.
They were jet, those wings, as deep as the sky, as black as Eoduin's hair—no, blacker, for they were dull, unoiled. They gave off no sheen in the light, no gleam to the eye. They drank up the light and diminished it: they were wings of pure shadow.
You tried to drink the East River,"Magnus said, and Alec saw, as if for the first time, that Magnus's clothes were soaking wet too, sticking to his body like a dark second skin.
Have you also learned that secret from the river; that there is no such thing as time?" That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere and that the present only exists for it, not the shadow of the past nor the shadow of the future.
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