A Quote by George Eliot

Sympathetic people often don't communicate well, they back reflected images which hide their own depths. — © George Eliot
Sympathetic people often don't communicate well, they back reflected images which hide their own depths.
He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
I loved taking off. In my own house, I seemed to be often looking for a place to hide - sometimes from the children but more often from the jobs to be done and the phone ringing and the sociability of the neighborhood. I wanted to hide so that I could get busy at my real work, which was a sort of wooing of distant parts of myself.
The way people communicate is changing, and no one knows this better than teens. We are using images to talk to each other, to communicate what we're doing, what we're thinking, and to tell stories.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
I don't know why, but audiences are often sympathetic to thieves. Sometimes they are more sympathetic to thieves then they are to earnest people. What does that say about society?
Kant does not think that along with choice of an action we also choose in each case the motive from which we do it. He thinks all is well if I act beneficently, realizing that it is my duty but also having sympathetic feelings for the person I help. But I ought to strive to be the sort of person who would still help even if these feelings were absent. And it is such a case that he presents when the sympathetic friend of humanity finds his sympathetic feelings overclouded by his own sorrows, and still acts beneficently from duty.
The voluntary captive The speechless the prisoner Which I hide in my very depths.
The pure heart is a spotless mirror in which images of infinite beauty are reflected.
I am an intelligent river which has reflected successively all the banks before which it has flowed by meditating only on the images offered by those changing shores.
Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.
I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors.
Consequential strangers help us stretch beyond the relatively rigid boxes that the people who have known us the longest - our family and close friends - often put us into. Through interacting with people who do not know us as well, we are more free to experiment with ourselves, and less likely to have our new behaviors and roles reflected back to us by people who object, 'But that's not like you!'
It's about communication. It's about honesty. It's about treating people in the organization as deserving to know the facts. You don't try to give them half the story. You don't try to hide the story. You treat them as - as true equals, and you communicate and you communicate and communicate.
I'm self-sufficient. I spend a lot of time on my own and I shut off quite easily. When I communicate, I communicate 900 per cent, then I shut off, which scares people sometimes.
During climbs into taller trees, I was occasionally able to look down on the backs of birds, which shine with reflected sunlight as they move through the green depths of the canopy, like schools of fish.
Young people are better educated. They grew up in a society which is well connected, well informed. They are able to communicate to one another, to know what is happening.
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