A Quote by George Eliot

It seems to me as a woman's face doesna want flowers; it's almost like a flower itself.... It's like when a man's singing a good tune, you don't want t' hear bells tinkling and interfering wi' the sound.
I always thought it would be a simple matter to lie wi' a woman, he said softly. And yet... I want to fall on my face at your feet and worship you"-he dropped the towel and reached out, taking me by the shoulders-"and still I want to force ye to your knees before me, and hold ye there wi' me hands tangled in your hair, and your mouth at my service...and I want both things at the same time, Sassenach.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
For me, when I want to be emotionally moved by a vocal, I don't want to hear auto tune on it, I want to hear the beautiful imperfections.
I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.
My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo
The bells they sound on Bredon, And still the steeples hum. "Come all to church, good people"- Oh, noisy bells, be dumb; I hear you, I will come.
You know–my flower, I am responsible for her. She doesn’t even have four thorns to protect herself from harm.’ (Zarek) Why do you love that book so? (Astrid) Because I want to hear the bells when I look up at the sky. I want to laugh, but I don’t know how. (Zarek)
Hear the sledges with the bells, Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night, While the stars that oversprinkle All the Heavens seem to twinkle With a crystalline delight: Keeping time, time, time, In a sort of Runic rhyme To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells-- From the jingling and the tingling of the bells.
I have a lot of creative control, so I can decide what I want to wear, what I want my brand to look like, what I want my songs to sound like, so I don't sound like some fake artist that people can't relate to.
It's not like, 'Okay, today I want to look like a man, or today I want to look like a woman.' I want to look like me. It just so happens that some of the things I like are feminine.
I feel like, all things aside, it's a really great time to be a woman. And I don't want to hear stories from, like, white dudes anymore. Like, not really. I want to hear stories from women.
In high school I was worried about singing in a choir not being a cool thing, like "I want girls to like me so I don't want to do something that's not cool." But, in fact, if you do something you like to do and you're good at it, you're going to find someone who will like you for that reason.
When you love a woman, you love yourself, and it's terrible really, how it seems perfectly possible to swallow the other. With a man you want to join, you want your ribs to connect like handcuffs. But with a woman if you swallow, she becomes you.
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
A sentence is like a tune. A memorable sentence gives its emotion a melodic shape. You want to hear it again, say it—in a way, to hum it to yourself. You desire, if only in the sound studio of your imagination, to repeat the physical experience of that sentence. That craving, emotional and intellectual but beginning in the body with a certain gesture of sound, is near the heart of poetry.
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