A Quote by George Eliot
Your dunce who can't do his sums always has a taste for the infinite.
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The vices of man, as full of horror as one might suppose them to be, contain the proof (if in nothing else but their infinitely expandable nature) of his taste for the infinite; only, it is a taste that often takes a wrong turn.
Only by himself, with one acre and a house, will a dunce be a dunce. Once he manages to gain power, he'll turn into a scoundrel.
If your choice enters into it, then taste is involved - bad taste, good taste, uninteresting taste. Taste is the enemy of art, A-R-T.
How much a dunce that has been sent to roam, excels a dunce that has been kept at home.
There is no dunce like a mature dunce.
Alas! Man's vices, horrible as they are supposed to be, contain the positive proof of his taste for the infinite.
God is Infinite and His Shadow is also infinite. The Shadow of God is the Infinite Space that accommodates the infinite Gross Sphere which, with its occurrences of millions of universes, within and without the ranges of men's knowledge, is the Creation that issued from the Point of Finiteness in the infinite Existence that is God.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
A good taste in art feels the presence or the absence of merit; a just taste discriminates the degree--the poco piu and the poco meno. A good taste rejects faults; a just taste selects excellences. A good taste is often unconscious; a just taste is always conscious. A good taste may be lowered or spoilt; a just taste can only go on refining more and more.
Taste is the fundamental quality which sums up all other qualities. It is the ne plus ultra of the intelligence.
God’s grace is not infinite. God is infinite, and God is gracious. We experience the grace of an infinite God, but grace is not infinite. God sets limits to His patience and forbearance. He warns us over and over again that someday the ax will fall and His judgment will be poured out.
Fool beckons fool, and dunce awakens dunce.
There's always going to be one more thing. Because that's what infinite feels like. And the difference between love and everything else is that it's infinite, it's built out of something infinite, or it feels like it is, anyway, which is the same thing to us. You think a million billion more things will come your way, a million billion more versions of everything. But no, everything that actually causes that infinite feeling, the circumstances of every infinite feeling, is so, so finite.
Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses.
Taste is a phenomenon. Most of taste is unconscious - it comes from your upbringing, from your family, from your society, your gender, your race; it's a melange of all those things.
The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak. Here Camp taste supervenes upon good taste as a daring and witty hedonism. It makes the man of good taste cheerful, where before he ran the risk of being chronically frustrated. It is good for the digestion.
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