A Quote by George Eliot

Speech is but broken light upon the depth Of the unspoken. — © George Eliot
Speech is but broken light upon the depth Of the unspoken.
Broken bottles, broken plates, broken switches, broken gates. Broken dishes, broken parts, streets are filled with broken hearts.
The problem with promises is that once you've made one, it's bound to be broken. It's like an unspoken cosmic rule.
For low light, all the light rays participate. We're using all the light coming through a large aperture to make a picture with a large depth of field - totally impossible with a conventional camera.
Nobody can fall so low unless he has a great depth. If such a thing can happen to a man, it challenges his best and highest on the other side; that is to say, this depth corresponds to a potential height, and the blackest darkness to a hidden light.
You have been called to be who you are - the whole luminous light. No one can dim your light when you are fully present to the depth and breadth of it.
Speech and prose are not the same thing. They have different wave-lengths, for speech moves at the speed of light, where prose moves at the speed of the alphabet, and must be consecutive and grammatical and word-perfect. Prose cannot gesticulate. Speech can sometimes do nothing more.
It's always easy to get people to condemn threats to free speech when the speech being threatened is speech that they like. It's much more difficult to induce support for free speech rights when the speech being punished is speech they find repellent.
Confidence, of course is an admirable asset to a golfer, but it should be an unspoken confidence. It is perilous to put it into speech. The gods of golf lie in wait to chasten the presumptious.
The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God's sake, just seemed otiose and superfluous to them.
When you have your heart broken for the first time, you gain depth.
All art speaks in signs and symbols. No one can explain how it happens that the artist can waken to life in us the existence that he has seen and lives through. No artistic speech is the adequate expression of what it represents; its vital force comes from what is unspoken in it.
Consider paint a film of light reflecting/absorbing material, and a colored paint a material which gives a particular, characteristic transmission of light via differential absorption and reflection. Call this reflected quality 'luminance' and measure it in millilamberts. This measure is as real and present as height, breadth, depth; and I find the phenomenon equally sumptuous and convincing. . . . Painted light, not color, not form, not perspective, or line, not image, or words, or equations, is painting. I make paintings which do not represent light, they are light.
Angels are intelligent reflections of light, that original light which has no beginning. They can illuminate. They do not need tongues or ears, for they can communicate without speech, in thought.
I drank that Wine of which the Soul is its vessel. Its ecstasy has stolen my intellect away. A Light came and kindled a Flame in the depth of my Soul. A Light so radiant that the sun orbits around it like a butterfly.
If the lost word is lost, if the spent word is spent If the unheard, unspoken Word is unspoken, unheard; Still is the spoken word, the Word unheard, The Word without a word, the Word within The world and for the world; And the light shone in the darkness and Against the Word the unstilled world still whirled About the center of the silent Word. Oh my people, what have I done unto thee. Where shall the word be found, where shall the word Resound? Not here, there is not enough silence
You make a movie, and if there's a red light flashing in the distance, everyone thinks that the director had a whole lot of money and a great idea that the red light means something. Then you say, 'Yeah, we couldn't afford to shut the red light off that was broken two blocks away.'
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