A Quote by George Eliot

All writing seems to me worse in the state of proof than in any other form. In manuscript one's own wisdom is rather remarkable to one, but in proof it has the effect of one's private furniture repeated in the shop windows. And then there is the sense that the worst errors will go to press unnoticed!
Proof is boring. Proof is tiresome. Proof is an irrelevance. People would far rather be handed an easy lie than search for a difficult truth, especially if it suits their own purposes.
Wisdom is not finally tested by the schools, Wisdom cannot be pass'd from one having it to another not having it, Wisdom is of the soul, is not susceptible of proof, is its own proof.
A proof is a proof. What kind of a proof? It's a proof. A proof is a proof. And when you have a good proof, it's because it's proven.
I mean the word proof not in the sense of the lawyers, who set two half proofs equal to a whole one, but in the sense of a mathematician, where half proof = 0, and it is demanded for proof that every doubt becomes impossible.
Wisdom is not finally tested in schools, Wisdom cannot be pass'd from one having it to another not having it, Wisdom is of the soul, is not susceptible of proof, is its own proof, Applies to all stages and objects and qualities and is content, Is the certainty of the reality and immortality of things, and the excellence of things; Something there is in the float of the sight of things that provokes it out of the soul.
The old and oft-repeated proposition "Totum est majus sua parte" [the whole is larger than the part] may be applied without proof only in the case of entities that are based upon whole and part; then and only then is it an undeniable consequence of the concepts "totum" and "pars". Unfortunately, however, this "axiom" is used innumerably often without any basis and in neglect of the necessary distinction between "reality" and "quantity", on the one hand, and "number" and "set", on the other, precisely in the sense in which it is generally false.
If any doubt has arisen as to me, my country [Virginia] will have my political creed in the form of a "Declaration &c." which I was lately directed to draw. This will give decisive proof that my own sentiment concurred with the vote they instructed us to give.
People accuse journalism of being too personal; but to me it has always seemed far too impersonal. It is charged with tearing away the veils from private life; but it seems to me to be always dropping diaphanous but blinding veils between men and men. The Yellow Press is abused for exposing facts which are private; I wish the Yellow Press did anything so valuable. It is exactly the decisive individual touches that it never gives; and a proof of this is that after one has met a man a million times in the newspapers it is always a complete shock and reversal to meet him in real life.
My proof convinces the ignorant, and the wise man's proof convinces me. But he whose reasoning falls between wisdom and ignorance, I neither can convince him, nor can he convince me.
A proof only becomes a proof after the social act of "accepting it as a proof".
A human group transforms itself into a crowd when it suddenly responds to a suggestion rather than to reasoning, to an image rather than to an idea, to an affirmation rather than to proof, to the repetition of a phrase rather than to arguments, to prestige rather than to competence.
To seek after any shape of God, and to assign a form and image to Him, is a proof of man's folly. For God, whosoever he be (if haply there be any other but the world itself), and in what part soever resident, all sense He is, all sight, all hearing: He is the whole of the life and of the soul, all of Himself.
I would not read the proof of one of my books for any fair & reasonable sum whatever, if I could get out of it. The proof-reading on the P & Pauper cost me the last rags of my religion.
What God declares the believing heart confesses without the need of further proof. Indeed, to seek proof is to admit doubt, and to obtain proof is to render faith superfluous.
Is there any proof that I'm a bust? All there is proof of is that I have bad luck with injuries.
None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
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