A Quote by George Eliot

It is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. — © George Eliot
It is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium.
Subtle impressions for which words are quite too coarse a medium.
Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on small or on coarse occasions, we do not easily receive strong impressions, or delightful images; and words to which we are nearly strangers, whenever they occur, draw that attention on themselves which they should transmit to other things.
Our firmest convictions are apt to be the most suspect; they mark our limitations and our bounds. Life is a petty thing unless it is moved by the indomitable urge to extend its boundaries.
I would like to suggest that our minds are swamped by too much study and by too much matter just as plants are swamped by too much water or lamps by too much oil; that our minds, held fast and encumbered by so many diverse preoccupations, may well lose the means of struggling free, remaining bowed and bent under the load; except that it is quite otherwise: the more our souls are filled, the more they expand; examples drawn from far-off times show, on the contrary, that great soldiers ad statesmen were also great scholars.
TV - a clever contraction derived from the words Terrible Vaudeville. However, it is our latest medium - we call it a medium because nothing's well done.
Our first impressions are generated by our experiences and our environment, which means that we can change our first impressions... by changing the experiences that comprise those impressions.
The mingled incentives which lead to action are often too subtle and lie too deep for us to analyze.
So often we are too lazy or too distracted to see with care. Images come into our retinas, and our minds have already interpreted them. We do not see without our biases, our habits of life and thought.
Well, we lost a lot of our independence already. We are dependent on China for credit. We are dependent on Middle Eastern countries for energy supplies. And many Americans are dependent on the government for their income, health care, education of their children, food stamps.
I have never experienced another human being. I have experienced my impressions of them.
Although music appeals simply to the emotions, and represents no definite images in itself, we are justified in using any language which may serve to convey to others our musical expressions. Words will often pave the way for the more subtle operations of music, and unlock the treasures which sound alone can rifle, and hence the eternal popularity of song.
The mind of a poet often performs miracles-a few coarse-grained words, apprehended become bullets and roses.
THE SLOW ARROW OF BEAUTY. The noblest kind of beauty is that which does not transport us suddenly, which does not make stormy and intoxicating impressions such a kind easily arouses disgust but that which slowly filters into our minds.
Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.
If Zen is approached with the usual mental attitude, it will seem quite incomprehensible. Our average Western intellectuality would consider its paradoxical language simply as a play upon words. Its full significance is revealed only when we approach it in a different manner, making our minds available to the new processes of inner perception which it suggests.
A peculiarity of the higher arithmetic is the great difficulty which has often been experienced in proving simple general theorems which had been suggested quite naturally by numerical evidence.
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