A Quote by George Eliot

Man may content himself with the applause of the world and the homage paid to his intellect, but woman's heart has holier idols. — © George Eliot
Man may content himself with the applause of the world and the homage paid to his intellect, but woman's heart has holier idols.
A man desires praise that he may be reassured, that he may be quit of his doubting of himself; he is indifferent to applause when he is confident of success.
Money alone is only a mean; it presupposes a man to use it. The rich man can go where he pleases, but perhaps please himself nowhere. He can buy a library or visit the whole world, but perhaps has neither patience to read nor intelligence to see.... The purse may be full and the heart empty. He may have gained the world and lost himself; and with all his wealth around him ... he may live as blank a life as any tattered ditcher.
There is no deception on the part of the woman, where a man bewilders himself: if he deludes his own wits, I can certainly acquit the women. Whatever man allows his mind to dwell upon the imprint his imagination has foolishly taken of women, is fanning the flames within himself -- and, since the woman knows nothing about it, she is not to blame. For if a man incites himself to drown, and will not restrain himself, it is not the water's fault.
The superior man will watch over himself when he is alone. He examines his heart that there may be nothing wrong there, and that he may have no cause of dissatisfaction with himself.
In his younger days a man dreams of possessing the heart of the woman whom he loves; later, the feeling that he possesses the heart of a woman may be enough to make him fall in love with her.
The woman's vision is deep reaching, the man's far reaching. With the man the world is his heart, with the woman the heart is her world.
A healthy man is content with a woman. An erotic man is content with a stocking to get to a woman. A sick man is content with thestocking.
It is a momentous fact that a man may be good, or he may be bad; his life may be true, or it may be false; it may be either a shame or a glory to him. The good man builds himself up; the bad man destroys himself.
President Bush paid homage Wednesday to World War II veterans of Normandy at the D-Day Memorial. Later that night, his twin daughters paid a special tribute to World War II veterans of the Pacific. They each downed two kamikazes.
One may as well dam for water tanks the people's cathedrals and churches, for no holier temple has ever been consecrated by the heart of man.
A man unattached and without wife, if he have any genius at all, may raise himself above his original position, may mingle with the world of fashion, and hold himself on a level with the highest; this is less easy for him who is engaged; it seems as if marriage put the whole world in their proper rank.
The woman who appeals to a man's vanity may stimulate him, the woman who appeals to his heart may attract him, but it is the woman who appeals to his imagination who gets him.
A man of intellect is like an artist who gives a concert without any help from anyone else, playing on a single instrument--a piano, say, which is a little orchestra in itself. Such a man is a little world in himself; and the effect produced by various instruments together, he produces single-handed, in the unity of his own consciousness. Like the piano, he has no place in a symphony; he is a soloist and performs by himself--in soli tude, it may be; or if in the company with other instruments, only as principal; or for setting the tone, as in singing.
The human heart is a factory of idols...Everyon e of us is, from his mother's womb, expert in inventing idols.
A man of merit owes himself to the homage of the rest of mankind who recognize his worth.
Every man speaks and writes with intent to be understood; and it can seldom happen but he that understands himself, might convey his notions to another, if, content to be understood, he did not seek to be admired; but when once he begins to contrive how his sentiments may be received, not with most ease to his reader, but with most advantage to himself, he then transfers his consideration from words to sounds, from sentences to periods, and, as he grows more elegant, becomes less intelligible.
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