A Quote by George Eliot

Rome - the city of visible history, where the past of a whole hemisphere seems moving in funeral procession with strange ancestral images and trophies gathered from afar.
Too many people take New York for granted. The primary reason is that history is not taught. That's outrageous in a city where the past is still visible.
The whole past is the procession of the present.
I remember when my father passed away, we drove the funeral procession past the bank so he could say one last goodbye. That's how much the bank meant to my father.
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
We’re face to face with images all the time in a way that we never have been before... Young people need to understand that not all images are there to be consumed like fast food and then forgotten – we need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.
The assumption that everything past is preserved holds good even in mental life only on condition that the organ of the mind has remained intact and that its tissues have not been damaged by trauma or inflammation. But destructive influences which can be compared to causes of illness like these are never lacking in the history of a city, even if it has had a less chequered past than Rome, and even if, like London, it has hardly ever suffered from the visitations of an enemy.
It is not the literal past, the 'facts' of history, that shape us, but images of the past embodied in language.
One of my favorite scenes in Fellini is the ecclesiastical fashion show in Roma, and the end of 8 ½, when all the characters in the life of Guido, Marcello Mastroianni, get together and do this grand procession. That was on my mind, especially at the 45th anniversary, when all those characters in Valentino's life returned to Rome. I kept watching that and saying, if only we can arrange that grand procession at the end...and it kind of happened.
Now is the time for the U.S. and the nations of Western Europe who engaged in the slave trade throughout this hemisphere to come forward in a positive way to assist in undoing the harm that was caused by their past colonial policies in the hemisphere.
The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
Books -lighthouses erected in the great sea of time -books, the precious depositories of the thoughts and creations of genius -books, by whose sorcery times past become time present, and the whole pageantry of the world's history moves in solemn procession before our eyes, -these were to visit the firesides of the humble and lavish the treasures of the intellect upon the poor.
Valencia is a pure Mediterranean city; it is a city like Naples or Palermo, like Rome a little bit. Walking in the old town has a little bit of the flavor of the old city of Rome.
Rome is my most favorite city, so I really enjoy to stay here and the whole tournament.
I've always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.
On the country has gathered the idea of a natural way of life: of peace, innocence, and simple virtue. On the city has gathered the idea of an achieved centre of learning, communication, light. Powerful hostile associations have also developed: on the city as a place of noise, worldliness and ambition; on the country as a place of backwardness, ignorance, limitation. A contrast between country and city, as fundamental ways of life, reaches back into classical times.
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