A Quote by George Eliot
Every woman is supposed to have the same set of motives, or else to be a monster.
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Every episode [in a TV series] is a challenge, and what's challenging in most episodes is the monster. You're always a heartbeat from the monster looking ridiculous. You really have to work so hard to make them not look like ridiculous when they turn up on the set.
When a monster stopped behaving like a monster, did it stop being a monster? Did it become something else?
God is pretty explicit in what we're supposed to do - what man and woman are for. Now, at the same time, we're supposed to love everybody and accept people, and preach against the sins.
Man is a wretch without woman; but woman is a monster-and thank Heaven, an almost impossible and hitherto imaginary monster--without man, as her acknowledged principal!
Men are more accountable for their motives, than for anything else; and primarily, morality consists in the motives, that is in the affections.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
I may be a lunatic, but then, wasn't my lunacy caused by a monster that lurks at the bottom of every human mind? Those who call me a madman and spurn me may become lunatics tomorrow. They harbor the same monster.
I don't [know] what everybody else's motives are, I don't know what your motives are, but mine is to portray the real life of an NBA player. And it's not all about I just do everything, like I'm the hardest worker, or I love to play basketball every day, I go to the gym at eight and don't leave until five. No, that's not how it is. That's not how I am.
A woman comes to a table, and you're supposed to get up. Period. But I don't always do it. In general, you're supposed to do it every time. But sometimes you're seated against the wall, and it's awkward.
The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again.
I think it's dangerous to look at every Muslim woman the same and to assume that every experience within the religion is the same, meaning that there are going to be strong and assertive women that are Muslim. There's going to be a more passive woman who just so happens to be a Muslim. There may be a funny, big-personality woman and she's Muslim.
All things I do are in every woman. Every woman is Medea. Every woman is Jocasta. There comes a time when a woman is a mother to her husband. Clytemnestra is every woman when she kills.
Every man who is not a monster, a mathematician, or a mad philosopher, is the slave of some woman or other.
Politicians are usually the first to forget that if you assume someone else is acting in bad faith, they will do the same to you. Questioning motives poisons the well.
I think what all the Universal monster movies are defined by, and what makes them very special, is that it's really the only genre entirely unto itself, in which you fear the monster and fear for the monster. That's a very hard thing to do. To fear for and fear at the same time is extremely unique.
I immensely enjoy any experience directing. I've never hated it, and I've had bad experiences. At the end of the day, I just feel like I'm supposed to be on a set. I'm supposed to be working with creative people. I'm supposed to be working with actors and I'm supposed to be manning a project in this capacity. It's interesting.
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