A Quote by George Friedman

So as soon as you want something to happen you begin skewing the data to support it. Our stuff is invaluable to decision-makers precisely because we have no ax to grind.
Disruptive technology is a theory. It says this will happen and this is why; it's a statement of cause and effect. In our teaching we have so exalted the virtues of data-driven decision making that in many ways we condemn managers only to be able to take action after the data is clear and the game is over. In many ways a good theory is more accurate than data. It allows you to see into the future more clearly.
The best decision-makers are always armed with the best information and data!
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
I think the big thing with Philly is I have such a great relationship with all the personnel decision makers that if there ever does come a day where I am traded or something does happen, it's going to be an open conversation.
Primarily, I am a prose writer with axes to grind, and the theatre is a good place to do the grinding in. I prefer comedy to 'serious' drama because I believe one can get the ax sharper on the comedic stone.
Algorithms and data should support the human decision, not replace it.
I think the press is doing a wonderful job of putting the pressure on the decision-makers in Hollywood to support more female directors.
No matter what decision I make, I want people to know that there's a reason I made it, and it's because it was something I felt like needed to happen. I don't want people to think that I've just gone crazy.
We as women have a voice and we are decision makers in what film to see. We always support our boyfriends and husbands by going to see the male dominated films, but we don't compel them to see films with female casts.
I've always had good friends and people know that I've got no ax to grind.
In movies, the composers and decision makers are different, so we don't come across classical songs often in films due to lack of interest. The decision makers are non-musical people, so one doesn't get to hear more classical songs in films.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
We must be listened to: above and beyond our personal experience, we have collectively witnessed a fundamental unexpected event, fundamental precisely because unexpected, not foreseen by anyone. It happened, therefore it can happen again: this is the core of what we have to say. It can happen, and it can happen everywhere.
I am filled with hatred for money, for battleships, for industry, for factories, for the grind, grind, grind of the machine on all our creative instincts.
Mathematics alone make us feel the limits of our intelligence. For we can always suppose in the case of an experiment that it is inexplicable because we don't happen to have all the data. In mathematics we have all the data, brought together in the full light of demonstration, and yet we don't understand. We always come back to the contemplation of our human wretchedness. What force is in relation to our will, the impenetrable opacity of mathematics is in relation to our intelligence.
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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