A Quote by George Friedman

War and sex are what I call the two abysmal - by that I mean deep - parts of the human condition. — © George Friedman
War and sex are what I call the two abysmal - by that I mean deep - parts of the human condition.
Now each one of us, black or white, is a symbol. The war is out in the open and the skin color is a uniform. All the deep and basic similarities of the human condition are forgotten so that we can exaggerate the few differences that exist.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
War is not in itself a condition so much as the symptom of a condition, that of international anarchy. If we wish to substitute for war the settlement of disputes by justice, we must first substitute for the condition of international anarchy a condition of international order
The tragedy of the human condition is that the thing that makes us most human - community - originates in the inhumanity of war.
What men call civilization is the condition of present customs; what they call barbarism, the condition of past ones.
By love I don't mean indulgence. I do not mean sentimentality. And in this instance, I don't even mean romance. I mean that condition that allowed humans to dream of God.That condition that allowed the "dumb" to write spirituals and Russian songs and Irish lilts. That is love, and it's so much larger than anything I can conceive.
There are two parts to the human dilemma. One is the belief that the end justifies the means. That push-button philosophy, that deliberate deafness to suffering, has become the monster in the war machine. The other is the betrayal of the human spirit: the assertion of dogma that closes the mind, and turns a nation, a civilization, into a regiment of ghosts--obedient ghosts or tortured ghosts.
Every theory I've seen that contains an explanation of war fails. I think they fail for the same reason that explanations of sex fail. War derives from things so deep and so complex, I'm thoroughly baffled by it at the end of the day.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.
Then the highest state of love is prayerfulness. In prayerfulness there is communion. In sex there is the I/it relationship, in love the I/thou relationship. Martin Buber stops there; his Judaic tradition won't allow him to go further. But one step more has to be taken that is neither 'I' nor 'thou' - a relationship where I and thou disappear, a relationship where two persons no longer function as two but function as one. A tremendous unity, a harmony, a deep accord - two bodies but one soul. That is the highest quality of love. I call it prayerfulness.
Now the soul of man is divided into two parts, one of which has a rational principle in itself, and the other, not having a rational principle in itself, is able to obey such a principle. And we call a man in any way good because he has the virtues of these two parts.
People who are mean or unkind or rigid - think about it - cannot laugh at themselves. If we can't laugh at ourselves and the human condition, we're going to be mean.
Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be. I'm able to step into these other parts of myself. I feel like, as long as I keep doing that in my career, and I keep tapping into different parts of the human condition, that's all I ask for.
I've always thought that the key to a good sex life is variety. That's why God gave me two hands. Humans love sex, we need sex, it's how we connect, it reminds us we're alive, it's the third most basic human need, after food and good movie popcorn.
As for sex, well, I mean sex is a perfectly respectable subject as far as Shakespeare is concerned. I mean, all history is love and violence.
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