A Quote by George Gershwin

A skyscraper is at the same time a triumph of the machine and a tremendous emotional experience, almost breath-taking. Not merely its height but its mass and proportions are the result of an emotion, as well as of calculation.
The problem of architecture has always been the same throughout time. Its authentic quality is reached through its proportions, and the proportions cost nothing. In fact, most of them are proportions among things, not the things themselves. Art is almost always a question of proportions.
The Auto-Tune makes everybody sound the same and takes away all of the emotion because you're singing through this machine, and of course your taking all of this emotion out of your voice for the most part.
Every improvement that is put upon the real estate is the result of an idea in somebody's head. The skyscraper is another idea; the railroad is another; the telephone and all those things are merely symbols which represent ideas. An andiron, a wash-tub, is the result of an idea that did not exist before.
For me, it's really important that the experience of art is always something that is able to provoke strong emotion, an emotion that you feel in your heart or your stomach, but also that challenges the brain at the same time. It's an experience - physical and intellectual.
If human nature felt no temptation to take a chance there might not be much investment merely as a result of cold calculation.
Grief is an emotion that's almost unplayable because you're in a separate emotional state; it's an inconsolable emotion.
There was tremendous emotion. Every shift was so emotional.
As soon as an Analytical Engine exists, it will necessarily guide the future course of the science. Whenever any result is sought by its aid, the question will then arise — by what course of calculation can these results be arrived at by the machine in the shortest time?
Taking time to live is taking time to appreciate simple silence as better than any kind of talk, or watching a flower, or watching a guy wash the windows on a skyscraper and wondering what he is thinking.
Symphonies can generate a tremendous amount of sounds, beauty, and emotion. That is part of their human feel and sweetness. Keyboards, on the other hand, give us access to millions of sounds. When I put the two together, the result is unique, and it’s not only pleasing to the ear, but produces emotional responses that neither of the two can achieve on their own.
The 3DS is a fantastic machine with more than 1,000 games. Its key differentiator is the 3D immersive experience without need for glasses. But as good as that machine is, you can't play a game like 'Legend of Zelda: Breath of the Wild' on it.
The lyrics to me are a result of the emotional and creative climate present while making the record as well as personally going through a sort of mid-twenties stock-taking.
Time-space as commonly understood, in the sense of the distance measured between two time-points, is the result of time calculation.
The PS3 is not a game machine. We've never once called it a game machine...With the PS3, our intentions have been to create a machine with supercomputer calculation capabilities for home entertainment.
Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.
We will have created a tremendous economic machine once again. To do that, we're taking back jobs.
This site uses cookies to ensure you get the best experience. More info...
Got it!