A Quote by George Gershwin

What the hell do you want to work for somebody else for? Work for yourself! — © George Gershwin
What the hell do you want to work for somebody else for? Work for yourself!
Once you decide to work for yourself, you never go back to work for somebody else.
What I do try to do is just stay away from other people's work, because they might influence you too much in a level that you don't want to be influenced in. And you don't want to look somebody else, you want to look like yourself.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
Work, look for peace and calm in work: You will find it nowhere else. Pleasures flit by -- they are only for yourself; work leaves a mark of long-lasting joy, work is for others.
Work is the only answer. I have three rules to live by. One, get your work done. If that doesn't work, shut up and drink your gin. And when all else fails, run like hell!
It's a hell of a responsibility to be yourself. It's much easier to be somebody else or nobody at all.
Well working by yourself, especially when no one knows about it, is totally liberating because it's very impulse-driven. You work when you want to work. You work when you can work. No deadlines. No conversation. No compromise. No help.
Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work.
I find that it's nice to work with somebody and spin off on someone else's feelings. You get a little jaded by yourself.
If you want to be Justin Timberlake, go for it. But if you want to be somebody else, go for it but it's usually very hard. You just got to believe in yourself, work hard. I've no advice, I did everything the right and wrong way. You make it up as you go along, but it has to be in your blood stream and it's not a job. It's a way of life.
You work with stand-up comedians or you work with somebody in theater, you work with somebody from 'Star Search' or 'Survivor' or a kid, it constantly changes how you play with people.
You work with stand-up comedians or you work with somebody in theater, you work with somebody from Star Search or Survivor or a kid, it constantly changes how you play with people.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
I think when you're in the middle of a piece of work, there are things that bleed over into your life. You're spending a large portion of your day pretending to be somebody else, to tell somebody else's story.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
I thought I had to work at someplace everybody's heard of. It was never, 'I'm interested in such and such. I want to work in such and such magazine.' It was like, 'Oh, my G-d, I really need to work for somebody so people will think I'm OK.' So I got a job at 'Popular Mechanics'.
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