A Quote by George Gilder

A culture that does not aspire to the divine becomes obsessed with the fascination of evil, reveling in the frivolous, the depraved, and the bestial. — © George Gilder
A culture that does not aspire to the divine becomes obsessed with the fascination of evil, reveling in the frivolous, the depraved, and the bestial.
According as a man acts and walks in the path of life, so he becomes. He that does good becomes good; he that does evil becomes evil. By pure actions he becomes pure; by evil actions he becomes evil.
A depraved culture supports a depraved politics and vice versa.
The domestication (the culture) of man does not go deep--where it does go deep it at once becomes degeneration (type: the Christian). The 'savage' (or, in moral terms, the evil man) is a return to nature--and in a certain sense his recovery, his cure from 'culture'.
The unconscious is not just evil by nature, it is also the source of the highest good: not only dark but also light, not only bestial, semihuman, and demonic but superhuman, spiritual, and, in the classical sense of the word, "divine."
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
When people reach age 12-14, they become obsessed with evil. The percentage of people who are good versus evil becomes reversed. It's part of the way that teens' minds are being reordered - it's just a developmental stage.
He who takes his fill of every pleasure ... becomes depraved; while he who avoids all pleasures alike ... becomes insensible.
All English people have a fascination with Jack the Ripper. I don't know why, because it's so dreadful, but such a strange, endearing part of our culture. Morbid fascination sums it up.
The man who does evil to another does evil to himself, and the evil counsel is most evil for him who counsels it.
Satan--the impersonation of that mixture of the bestial, the malignant, the impious, and the hopeless, which constitute the fiend--the enemy of all that is human and divine.
In the heart of a human being, emptiness becomes love. When we touch that Source, instantly the love is present. Literally, the divine becomes human and the human becomes divine.
No one becomes depraved all at once.
When one has once accepted and absorbed Evil, it no longer demands the unfitness of the means. The ulterior motives with which youabsorb and assimilate Evil are not your own but those of Evil.... Evil is whatever distracts. Evil knows of the Good, but Good does not know of Evil. Knowledge of oneself is something only Evil has. One means that Evil has is the dialogue.... One cannot pay Evil in installments--and one always keeps on trying to.
Some people give themselves over to their most evil desires, and those people becomes evil. But in general, it's reductive to think of evil as something foreign and separate from the rest of us. Evil is part of everyone. We all have the capacity to commit evil acts.
Our culture often demeans and devalues the work, the pleasures, and the contributions of women and feminine people. This is, in part, why beauty culture is dismissed as unimportant and frivolous.
From this bestial view that the human mind consists of only sense certainty, pleasure and pain, Locke developed an equally bestial theory of the nation. Man originally existed in a State of Nature of complete liberty.
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