A Quote by George Gissing

This writer, who is horribly perspicacious and vigorous, demonstrates the certainty of a great European war, and regards it with the peculiar satisfaction excited by such things in a certain order of mind. His phrases about "dire calamity" and so on mean nothing; the whole tenor of his writing proves that he represents, and consciously, one of the forces which go to bring war about; his part in the business is a fluent irresponsibility, which casts scorn on all who reluct at the "inevitable." Persistent prophecy is a familiar way of assuring the event.
Persistent prophecy is a familiar way of assuring the event.
Modern man lives isolated in his artificial environment, not because the artificial is evil as such, but because of his lack of comprehension of the forces which make it work- of the principles which relate his gadgets to the forces of nature, to the universal order. It is not central heating which makes his existence 'unnatural,' but his refusal to take an interest in the principles behind it. By being entirely dependent on science, yet closing his mind to it, he leads the life of an urban barbarian.
With the Truman book, I wrote the entire account of his experiences in World War I before going over to Europe to follow his tracks in the war. When I got there, there was a certain satisfaction in finding I had it right - it does look like that.
In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.
My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'
When God is about to bestow some great blessing on His church, it is often His manner, in the first place, so to order things in His providence as to show His church their great need of it, and to bring them into distress for want of it, and so put them upon crying earnestly to Him for it.
It is not the willingness to kill on the part of our soldiers which most concerns me. That is an inherent part of war. It is our lack of respect for even the admirable characteristics of our enemy; for courage, for suffering, for death, for his willingness to die for his beliefs, for his companies and squadrons which go forth, one after another, to annihilation against our superior training and equipment.
We are in a war of a peculiar nature. It is not with an ordinary community, which is hostile or friendly as passion or as interest may veer about: not with a state which makes war through wantonness, and abandons it through lassitude. We are at war with a system, which by its essence, is inimical to all other governments, and which makes peace or war, as peace and war may best contribute to their subversion. It is with an armed doctrine that we are at war. It has, by its essence, a faction of opinion, and of interest, and of enthusiasm, in every country.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.
There are certain things in war of which the commander alone comprehends the importance. Nothing but his superior firmness and ability can subdue and surmount all difficulties.
In one of the decisive battles of World War I, disastrous reports poured into the headquarters of Marshal Foch, the commander of the Allied forces. The great general never lost heart. When things were at their worst, he drafted his famous order which is now in all textbooks of military strategy: "My center is giving way, my right is pushed back, my left is wavering. The situation is excellent. I shall attack!"
Here's why I think there's something a little odd with George Bush. Because a lot of the times when he speaks, his words don't match his face. Something is askew. You can't talk about the war with a smile on your face. He does it constantly. If you're the President, you should go We're going to talk about the war, I must have a frowny face. The only time you can smile when you're talking about the war in Iraq is when you go, Well, two Iraqis walk into a bar, hahaha.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Fortune, which has a great deal of power in other matters but especially in war, can bring about great changes in a situation through very slight forces.
Wilson won re-election in 1916, his campaign running on the slogan, 'He kept us out of war.' But he could then betray his anti-war supporters knowing that a rising political coalition - made up, in part, of men looking to redeem a lost war by finding new wars to fight - had his back.
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