A Quote by George Groves

The Eubanks are very different. If you look at the promotional videos they've done it's a bit 'Homes Under the Hammer.' — © George Groves
The Eubanks are very different. If you look at the promotional videos they've done it's a bit 'Homes Under the Hammer.'
I'm looking for things where, like with 'Ten,' I don't look like me, and I'm playing something a bit different. I'm just trying to flex a different muscle and see if it works. I've saved the world and killed monsters and done all that. Now I want to try something a bit different and a bit more challenging.
The song 'If I Had a Hammer' is geared toward people who don't have a hammer. Maybe before I had a hammer I thought I'd hammer in the morning and hammer in the evening. But once you get a hammer, you find you don't really hammer as much as you thought you would.
Artists frequently argue that videos trivialize a song and that touring for months at a time works against the creative process, not to mention maintaining a normal lifestyle. Doing something about these complaints, however, is rare because promotional videos and touring are considered essential elements in building multimillion-unit album sales.
When compared to other industries, there are very few promotional activities done for Kannada films.
Have I ever had dance lessons? I'm mobile, but not nearly as much as our promotional videos lead people to believe.
Steve Bannon was my right-hand man for, like, seven years. He's a hammer. And when you're a hammer, everything looks like a nail. He's very sure and very smart. Very driven, very patriotic. He's not most of the things that people say.
I think nowadays creating videos is a totally different industry and different career all together. Music videos are doing 100-plus, which is a lot.
Personally, I think government is a tool, like a hammer. You can use a hammer to build or you can use a hammer to destroy; there is nothing intrinsically good or evil about the hammer itself. It is the purposes to which it is put and the skill with which it is used that determine whether the hammer's work is good or bad.
When you have a hammer, all problems start to look like nails. But nations without great military power face the opposite danger: When you don't have a hammer, you don't want anything to look like nails.
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those two movies, but they're two very different kinds of movies. They look different, they feel different, they are very different kinds of movies.
When I look at American history and I look at what history means to me, I look at it as if it were a string of stories. And if it's told well enough and in a way that's charming and warm and with wit and humor, then it takes a bit of the edge off of it. You can still tell the truth, but if you tell it very sweetly and very warmly, it makes it go down a bit easier.
I look for an interesting and often times, fresh character. Something different that what is done all the time or than I've done recently. I look at who is directing. Those two variables as well as a third, which is the content and the quality of the screenplay. I look at the arcs of the scenes and characters and relationships.
I've been in a lot of different factions my whole career, and all the guys who made up those factions are different performers. For example, if you look at the Undisputed Era as a whole, I'm very different than Roderick Strong, who's very different from Kyle O'Reilly, who's very different from Bobby Fish.
If a hit came along, I wouldn't be unhappy about that. But I'm a bit too old for that now-doing videos and all those types of TV shows. I've kind of done all that, in the '70s.
People might look at you a bit funny, but it's okay. Artists are allowed to be a bit different.
You realize as an athlete that there is a bit of a clock, and you don't want to look back on a career and say, 'I wish I had done this a bit differently.'
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