A Quote by George Groves
It's iconic, it's Wembley. When I go running up Primrose Hill you can see the arch. It's a great thing and it's a proud spot for London.
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For "Running Up That Hill" we had worked with a drum machine [in 1985]; the basic rhythms of "Running Up That Hill" happened because the whole track was built on a drum machine.
In our town there is a secret spot where you can still see the stars at night, believe it or not. It is the only spot like that left, unclouded by the dwindling skyscrapers rising nearby. It is a good place to go to walk and talk in whispers. Following the little hill that rises from the park to a small clearing which overlooks the statue of the armless general on his bronze steed, most of us later remember this spot as the first place we knew we might be in love.
'One Tree Hill' was a great learning opportunity for me, and I'm excited to go and apply that elsewhere and see where I end up.
One Tree Hill was a great learning opportunity for me, and Im excited to go and apply that elsewhere and see where I end up.
When I left my family home and had finished university, I stayed in South London but moved closer to London's center, to Brixton and Herne Hill. Herne Hill is a tiny place that is ridiculously overstocked with lovely pubs.
I have conversed with the spiritual Sun. I saw him on Primrose Hill
I left my car parked at the top of Lombard Street Hill, and I forgot to put the breaks on. It's the funniest thing. The car is running down the hill.
From my estate, where my mum still lives now, from my bedroom you could see Wembley. I go back a lot, my brothers are still there and she does a lot of cooking for me. To try to get a coach doesn't make sense, Willesden to Wembley. You can't do that really.
I lived in Camden, Primrose Hill and Kentish Town for 10 years.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
One trap you can fall into when playing someone iconic is to end up doing everything in an iconic way, no matter how pedestrian or mundane that thing is.
I love running cross-country...You come up a hill and see two deer going, 'What the hell is he doing?' On a track I feel like a hamster.
There are people who I still knock around with from the Primrose Hill set, but they have found sobriety, too, and are doing their own things.
I'm glad I don't live in Primrose Hill any more. I couldn't even walk through the park. You never invite that kind of attention.
The McDonald's icon of the colours and the golden arch, for me, resonates as one of the most iconic images ever.
The camera lens or the television camera is still just a proscenium arch. And as a great old character actor once said to me, wherever you're acting, you reach up and take hold of the proscenium arch, and you pull it down around your shoulders.
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