A Quote by George H. Smith

If acorns start growing into theologians, or if women begin turning into pillars of salt, then we may wish to hypothesize about a supernatural influence. But until such time as nature becomes hopelessly unintelligible and unpredictable, we need look no further than nature itself for explanations.
Are we, finally, speaking of nature or culture when we speak of a rose (nature), that has been bred (culture) so that its blossoms (nature) make men imagine (culture) the sex of women (nature)? It may be this sort of confusion that we need more of.
Nature is seen by humans through a screen of beliefs, knowledge, and purposes, and it is in terms of their images of nature, rather than of the actual structure of nature, that they act. Yet, it is upon nature itself that they do act, and it is nature itself that acts upon them, nurturing or destroying them.
Such is the nature and make-up of the French that they are only good at the start. Then they are worse than devils, but, given time, they're less than women.
When we human beings hypothesize that a law of nature holds - even temporarily or situationally - we are creating an idea, but we are also making a hypothesis about how nature behaves, whose truth or usefulness has nothing to do with what we know or believe.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
We need to return and go forward to the understanding that there is God in all living things, not more in men than women, and not more in humans than in nature. To believe otherwise is only an excuse for dominating women and nature.
The truth... When they have a similar structure to and are organized in as truthful a way as nature. When I look out of the window, then truth for me is the way nature shows itself in its various tones, colours and proportions. That's a truth and has its own correctness. This little slice of nature, and in fact any given piece of nature, represents to me an ongoing challenge, and is a model for my paintings.
When we interpret nature, we refer phenomena that are rarely entirely unintelligible back to something that actually exists, but is equally unintelligible.
In our traditional culture, people have a very different view towards nature than in Western culture. We consider humans as part of nature. But in the West, they talk about protecting nature. That's a joke because nature doesn't care; it's humans who need to protect themselves.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans... have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
The chief object of every golf architect or greenkeeper worth his salt is to imitate the beauties of nature so closely as to make his work indistinguishable from nature itself.
If a man is able to submit himself to nature, then nature will react to his needs. Almighty nature is all powerful and all loving, for the laws of nature are for the creation and evolution of all beings and creatures throughout the cosmos. There is no greater kindness than the kindness of nature.
"This is why alchemy exists," the boy said. "So that everyone will search for his treasure, find it, and then want to be better than he was in his former life. Lead will play its role until the world has no further need for lead; and then lead will have to turn itself into gold. That's what alchemists do. They show that, when we strive to become better than we are, everything around us becomes better, too."
What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
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