A Quote by George Hamilton
There's so many characters they [studios] are not letting me play. And I thought, "Why don't you just go produce it yourself?".
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Like, shopping, in a way, has the same dynamic as smoking. Because what happens in shopping is, you're bored, you're frustrated, you have this negative emotion and instead of letting the emotion play out, be honest, confronting it, and letting yourself feel pain, you go buy something that takes you out of yourself and feels fun and exciting. But you have to go back to yourself.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
I think in many ways, I'm sort of a blank canvas, because in many ways, I'm just observing the world and the people around me and their characters and letting them kind of explode off me and to find out why they're doing what they're doing. But then every once in awhile, I get to take on a whole new character.
Go a little easier on yourself, and in so doing, be prepared to make and do things that might seem silly at first. Just keep moving: don't ruminate and stare at the wall. Don't just play with your phone: go out and produce something.
Meditation means to be constantly extricating yourself from the clinging of mind.
By letting go of even the thought 'I,' and 'me' what is left?
There is nowhere to stand and no one to stand there.
No separation anywhere.
Pure awareness.
Neither this, nor that.
Just clarity and being.
If you're having trouble finding someone to play with, why don't you just go play with yourself.
Letting go doesn’t just mean letting go of the past, but letting go of an unknown future; and embracing NOW.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
I never really thought about what characters I play. I always just wanted different characters.
Why did Barry Humphries play Dame Edna for so many years? Why is Steve Coogan still doing Alan Partridge? Because there are just one or two characters they love doing. I'm lucky enough to have six that I'm crazy about.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
The work on satisfactory formulation of technical patents was a true blessing for me. It compelled me to be many-sided in thought, and also offered important stimulation for thought about physics. Following a practical profession is a blessing for people of my type. Because the academic career puts a young person in a sort of compulsory situation to produce scientific papers in impressive quantity, a temptation to superficiality arises that only strong characters are able to resist.
It's all a mind thing, just all mental. You have to know going into the game you have to play at a high level, as many minutes, stuff like that. It's just all mental. You get yourself mentally prepared for it and go out there and play.
You're always trying to find common ground with whatever you do, but you want to not be thinking about yourself when you're performing a play. The job is getting yourself out of the way and letting the character go about the scenes.
The first time I punched in my name and saw how many sites there were, I thought, that's scary. I got too involved where I got worried and panicked and tried to stop it. But you know what, if I just let it go and not worry about it, then it will be fine. Because it's all about how it makes me feel and I was letting it get to me.
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