A Quote by George Hamilton
I realized that the studios didn't really understand their own system.
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I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
I'll still make movies for studios, but my editing process will be much further removed from the studio system. Because I don't understand it. I don't understand the whole testing-numbers thing. It is not how I want to make movies. So if that's how they do it, then I don't think I want to do it.
Friendship is definitely the most difficult detail on the globe to elucidate. It is really not something you understand at school. But if you have not realized the which means of friendship, you truly have not realized anything.
One quality that a director needs to acquire in Hollywood is to understand the system and figure out how to work within the system to express one's own ideas.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
There are regulators at the SEC and elsewhere who are really excited about the potential of the blockchain. They understand you can build a robust financial system - it would solve all your black swan problems. All kinds of mischief and games that are played in the current system become impossible in this system.
When the major studios flourished many years ago, an actor was groomed, developed, and worked frequently at his craft. The studios really took care of their actors.
While I had done the movies through Revolution Studios, we own the sitcom. It was a situation where, once the team was assembled, I knew we could create something really, really good.
The audience has realized how much money the studios make from games now. They're making more money from games than they are from feature films. I mean this is a massive industry. It's still in its infancy. So I really feel lucky to be a part of it.
I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience.
You pay your dues and work your way up through the system, whatever system there is - something guys in the business today don't really understand, don't have a clue.
You're only infallible about your own nervous system. You know what's going on in your own nervous system, whatever realities you're creating out of the infinite flux of being. You don't know anything about anybody else's reality unless they tell you about it. You gotta listen very sympathetically in order to understand them. So it's a limited infallibility.
When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.
Be very sure of this,-people never reject the Bible because they cannot understand it. They understand it only too well; they understand that it condemns their own behavior; they understand that it witnesses against their own sins, and summons them to judgment.
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