A Quote by George Hamilton

To my mind, there are no unattractive women; only those who haven't been awakened by love . . . A woman is often like a strip of film-obliterated, insignificant-until a man puts the light behind her.
A man has to find a good woman, and when he finds her he has to win her love. then he has to earn her respect. then he has to cherish her trust. and then he has to, like, go on doing that for as long as they live. Until they both die. That's what it's all about. That's the most important thing in the world. That's what a man is, Yaar. A man is truly a man when he wins the love of a good woman, earns her respect, and keeps her trust. Until you do that, you're not a man.
For thousands of years what men has done to women is simply monstrous. She cannot think of herself as equal as man. & she has been conditioned so deeply that even if u say she is equal, she is not going to believe it. It has become almost her mind, the conditioning has become her mind, that she is less in everithing. & the man who has reduced the women to such a state also cannot love her. LOVE CAN EXIST ONLY IN EQUALITY, IN FRIENDSHIP
Man has been condemning women. Perhaps there is a reason; perhaps he was aware of some superiority in woman - the superiority of love. No logic can be higher than love, and no mind can be higher than the heart. But the mind can be very murderous; the mind can be very violent, and that's what the mind has done for centuries. Man has been beating women, repressing women, condemning women.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
The essence of motherhood is not restricted to women who have given birth; it is a principle inherent in both women and men. It is an attitude of the mind. It is love - and that love is the very breath of life. No one would say, 'I will breathe only when I am with my family and friends; I won't breathe in front of my enemies.' Similarly, for those in whom motherhood has awakened, love and compassion for everyone are as much part of their being as breathing.
Only six percent of films are made by women. And so in that that paradigm, a woman making a film at all is a political statement. A woman speaking her truth creates a feminist film.
It was certainly not this mummified and outrageously painted old woman he was seeing before him, but the entire "female species," as it was his custom to call women. The individual disappeared, the features were obliterated, whether young or senile, beautiful or ugly - those were mere unimportant variations. Behind each woman rises the austere, sacred and mysterious face of Aphrodite.
The key to happiness: You may speak of love and tenderness and passion, but real ecstasy is discovering you haven't lost your keys after all. Women begin by resisting a man's advances and end by blocking his retreat. If you want to change a woman's mind, agree with her. If you want to know what a woman really means, look at her - don't listen to her.
The plainest man that can convince a woman that he is really in love with her has done more to make her in love with him than the handsomest man, if he can produce no such conviction. For the love of woman is a shoot, not a seed, and flourishes most vigorously only when ingrafted on that love which is rooted in the breast of another.
I know that the only completely happy life for man and for woman is their life, first together, and then with their children. I am a firm believer that no marriage can be really happy, and no home a happy one for the children as well, unless man puts woman first and woman puts man first, each for the other the giver of every good gift. Children are the fruit of this total love.
When a woman puts up her fists to a man she is putting herself in the only posture in which he is not afraid of her.
I never want to set a belief that a woman has to direct a woman's film, meaning she can't direct a man's film. If only films can be directed by people who are exactly the same as that, it's only gonna limit all of the women more.
A man is truly a man when he wins the love of a good woman, earns her respect, and keeps her trust. Until you can do that, you're not a man.
I can see that you're in love, but only in a very narrow sense. It's the love of someone that finds charms and qualities in a woman that she doesn't actually have, who puts her in a class apart with every one else in second place, and who stays attached to her even while he's abusing her.
Woman has so long been subject to the disabilities and restrictions with which her progress has been embarrassed that she has become enervated, her mind to some extent paralyzed; and like those still more degraded by personal bondage she hugs her chains.
I think it was the same thing that really makes the premise of this film [Women of Wall Street] compelling: the idea of a woman negotiating issues around power and money, which are two things that have historically been denied to women. To see a woman operate successfully, but still find those barriers a result of that historical and systemic bias in her pursuit to the top, is a really interesting struggle.
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