A Quote by George Harrison

I don't know how you were diverted You were perverted too. I don't know how you were inverted No one alerted you. — © George Harrison
I don't know how you were diverted You were perverted too. I don't know how you were inverted No one alerted you.
I saw a birthday card the other day, and it said, "If you didn't know how old you were, how old would you think you were?" I started changing it in my mind right away to, "If you didn't know how sick you were, how sick would you think you were?"
We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.
How can you claim infallibility and claim that in these 114 [drone] strikes there was just one mistake -- one person killed that was a civilian -- and at the same time say, 'Well, we don't really know how many people were killed or who they were, but we know they weren't civilians'? I don't know how you can do that.
I came from a tradition where souls were a theological reality, not a faith reality. Souls were for saving, not for communing. Souls were for converting and, once they were converted, they were to be left alone. Souls were too mystical, too subjective, too ambiguous, too risky, too... well, you know - New Age-ish.
You look back and see how hard you worked and how poor you were, and how desperately anxious you were to succeed, and all you can remember is how happy you were.
By climbing mountains we were not learning how big we were. We were finding out how breakable, how weak and how full of fear we are.
I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
I was at a luncheon; and some cameras were trained on us. I don't know whether they were for television or not. You know how little I know about cameras.
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. I thought that was going to be how movies were done. I didn't really know how lucky we all were. We had a director that liked actors. I didn't know that was going to be rare.
Perhaps this was how the sparrows did it too; perhaps they were looking so hard at the peaks and tips of the new rooftops coated with dew, and the vast new horizon, that they only forgot that they did not know how to fly until they were already in midair.
But how do you wait for heaven And who has that much time And how do you keep your feet on the ground When you know, that you were born, you were born to fly
I was more tuned into the assassinations, the riots that were going on, like in Watts, and, in fact, my summer before my senior year in high school I went on the Experiment in International Living to Sweden, yes, with a group of students , you know, leisurely discussion over the summer about, you know, where we were going to go with our lives, and how did you how did, you know, being a born-again Christian mesh with being, you know, a socialist from New York.
I don't know how it would play out it the long run, if I were go to series with the story, I don't know. I just miss Peter so much on a personal level, that's about what I can say. He's my buddy and I wish he were around.
We thought we had such problems. How were we to know we were happy?
When we were growing up and saw a Ray Harryhausen movie, we were interested in how it was done. But thank God we got to go through the magic of seeing it before we knew how it was done. You were able to get this beautiful, pure, visceral response to something without knowing too much about it.
I talk to my kids about my mothers energy and how she would have loved them. I talk about how kind and polite my father was. So that they have some kind of remembrance that even though my parents died from their addictions and so that they know they were genuine in how they were.
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