A Quote by George Harrison
It's in the films and songs and all your magazines. It's everywhere that you may go, the devil's radio.
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There may be a parallel between woodcuts and radio; radio plays are a living art form everywhere except the USA.
The same music is playing on the radio in San Francisco, New York, Washington DC and Annapolis. Everywhere you go there's the same artists and same songs by them, over and over again. At some stations they play the same songs 50 to 60 times a week.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
you can go to the Devil and not at your leisure. You can go now, for all I care.' 'My pet, I've been to the Devil and he's a very dull fellow. I won't go there again, not even for you.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
Liberal talk on the radio doesn't perform well because it is not a sequestered to a niche - it's everywhere in the media universe. Conservative talk radio, on the other hand, performs well because the radio is the only place, besides Fox News, that people can go for right-sphere opinions.
The wonderful thing about having your songs on the radio is that people are going to go out to your concerts and buy your merchandise and that sort of thing, and it feels good to get that level of name recognition.
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
I get I style inspiration everywhere: the streets of New York, magazines... everywhere!
Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was
Now, what of the entertainment that is available to our young people today? Are you being undermined right in your homes through your television, radio, slick magazines, and rock music records?
I may not dress like Satan anymore, but I’m still down with the Devil and I will go medieval on your ass.
The Devil can so completely assume the human form, when he wants to deceive us, that we may well lie with what seems to be a woman, of real flesh and blood, and yet all the while 'tis only the Devil in the shape of a woman. 'Tis the same with women, who may think that a man is in bed with them, yet 'tis only the Devil; and...the result of this connection is oftentimes an imp of darkness, half mortal, half devil.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
When American poet Alice Notley was very young, she used to sit in front of the radio and just listen. When she got older, she began to hear words and songs in her head everywhere she went - songs she loved, like 'Begin the Beguine' by Cole Porter, and her own words that sometimes tumbled out into poems.
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