A Quote by George Harrison
The best slide solo I ever played was on... what's her name? That girl singer who used to be with that all-girl band? ... Belinda Carlisle of the Go-Go's! That's who it was. I played on one of her albums.
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In life,there are only four kinds of girls: The girl who played with fire. The girl who opened Pandora's Box. The girl who gave Adam the apple. And the girl whose best friend stole her boyfriend.
I played a Siamese girl from Thailand. I played an Arabian girl. I did a lot of American Indians. I never, ever was able to do a part without assuming some kind of accent.
I love when a girl is like, 'I can't hang out. I have to go to class.' And I go pick her up, and she's all sweaty in a leotard with her hair in a bun. That's the hottest thing ever.
Never underestimate a girl’s love for her favorite band. Never think even for a minute, that she won’t defend them to her death. Because it’s not just the music that makes that band her favorite. It’s the guys, the gals. It’s the fans. People whom of which she has interacted with thanks to the band. That band might of saved her life, or just made her smile everyday. That band has never broke her heart and has yet to leave her. No wonder she finds such joy in her music.
It's really on the streets, if I'm in a car, or I'm walking by, and I see a girl. And you can see it, on her face, you can see it in her step and the way that she moves and flows, and you're like: "You go girl." And it's fun, and sometimes you just have to go up and be like, "You look fantastic!"
There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.
I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.
The word C.R.E.A.M. - which stands for "Cash Rules Everything Around Me" - is from Wu Tang Clan. This song is about a prostitute who falls in love with her client, who winds up being a drug girl in New York. It's an ode to the girl who works in the streets; it gives her a face and a name and a story. I used to go and admire those girls. I was inspired by their bravery and their femininity, and how they were just putting themselves out there. It was intense to see. It's strange, but they kind of inspired me in a way. I felt it was so bold.
She remembered that once, when she was a little girl, she had seen a pretty young woman with golden hair down to her knees in a long flowered dress, and had said to her, without thinking, "Are you a princess?" The girl had laughed very kindly at her and asked her what her name was. Blanche remembered going away from her, led by her mother's hand, thinking to herself that the girl really was a princess, but in disguise. And she had resolved that someday, she would dress as though she were a princess in disguise.
Normal. She wasn't normal. A girl Graced with killing, a royal thug? A girl who didn't want the husbands Randa pushed on her, perfectly handsome and thoughtful men, a girl who panicked at the thought of a baby at her breast, or clinging to her ankles.
I played a gig at the Montreax Jazz Festival once - and on a song called 'It's All Gone,' I had to do free-form slide solo. It's the best thing I've ever done - because I wasn't thinking about it.
I think the parts that I played sort of broke the mould in terms of - you know, I played grey characters, the bad girl with a good heart, there was a good reason for her to be bad.
The girl had a certain nobleness of imagination, which rendered her a good many services and played her a great many tricks.
I played teen roles until high definition came out, and I could never understand it. I would go in for adult roles and be older than many of the people auditioning, but they'd cast the girl without a line on her face.
That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.
I think she definitely played a great tournament here. I mean, she reached the final as a very young girl. I know she can be very dangerous. I just did what my coach David told me, that I had to really go for every shot, to not really give her the time for her game. Definitely she's a talented player.
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