A Quote by George Harrison
I think it was John who really urged me to play sitar on 'Norwegian Wood,' which was the first time we used it. Now, Paul has just asked me recently whether I'd written any more of those 'Indian type of tunes.' He suddenly likes them now. But at the time, he wouldn't play on them.
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I'm different now, but back then I used to be the type of guy who would say, “I like you. Do you also like me or not? No? Tell me the truth. I'll give you time to think about it!” But now This isn't a lie but I've had 3 girlfriends, and I've dated each of them for 3 years. When it comes to dating, I'm the type who would be with someone for a long time. Before we start dating, I'd keep watching her. It's because I hate being hurt. I tend to give my everything once I date
Paul knew I could sing, write and play, and so he rang me. It knocked me sideways a little because I wasn't used to being a sidekick. That was the first time I'd been with a band with someone more famous than me.
All music now, I think, is fair game for jazz musicians to interpret, and they have been. I would consider those songs standards now. "Norwegian Wood" is a standard; "Call Me" is a standard.
Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
Play the gayest tunes in your books, play them loud and keep on playing them, and never mind if a bullet goes through a trombone, or even a trombonist, now and then.
When I first joined the team, I was playing with the likes of Mia Hamm, Shannon MacMillan, Tiffeny Milbrett - all those big-time players. It was very intimidating. I had some of these players' posters on my wall growing up, and now I was able to play with them.
John Logan is maybe the No. 1 screenwriter in the world today, not to mention that he won a Tony for Best Play for Red. So he may just be the best writer period right now. He wrote The Aviator, and I was in New York doing a play, and he asked if they would see me for the film, just meet with me. 'Cause that's what Martin Scorsese does.
I think I'm actually built for fatherhood. I love to have a good time and play, but at the same time I've got a really serious side to me, and I think that's the balance you have to have. Get on your kids' level, but at any point in time, let them know who the parent is.
I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.
A lot of things happened when I left there, and to be fair they treated me really bad, and now I have to play against them so I don't have any feelings for them at all.
Hybart is a little community I grew up in, so it was just a wonderful time in those years. I was the youngest of about nine boys in the neighborhood and we played ball all the time, and I looked up to them and they let me play around with them, and we just had a good time.
I think it was important for me to introduce myself as an artist for the first time because I'm very proud of my past, it's all a part of my story, but this is who I am now. This was a really important thing to have an hour special that lets them in and kind of meet me for the first time, truthfully.
I think the parts I was offered when I was younger, where I was asked to play that kind of slacker person, that was just because people would go, "Oh, she has dyed black hair." I guess that's how they thought I looked. I played a couple of those roles, and then unfortunately you get pigeonholed really fast, and then you just keep getting asked to do that. And now it would be weird at the age of 46 for me to play a slacker. It would look like I was nuts.
Sadio can play on the left or the right. It's similar to me, I used to play out wide and I now play more central.
At John Schlesinger's funeral at a synagogue in St John's Wood some years ago the person I stood next to said to me encouragingly, 'Come on, Stephen - you're not singing. Have a go!' 'Believe me, Paul, you don't want me to,' I said. Besides, I was having a much better time listening to him. 'No. Go on!' So I joined in the chorus. 'You're right,' Paul McCartney conceded. 'You can't sing.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
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