A Quote by George Herbert

There needs a long time to know the worlds pulse. — © George Herbert
There needs a long time to know the worlds pulse.
I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.
Although it takes a long warm-up for an eight to swing, on an erg such subtleties don't matter. For me the sound alone raised my pulse to 120. Tying my feet into the stretchers increased it to 180. My maximum pulse was 200. I didn't need a warmup. I needed a sedative.
I know this much: that there is objective time, but also subjective time, the kind you wear on the inside of your wrist, next to where the pulse lies. And this personal time, which is the true time, is measured in your relationship to memory.
because you always have a clock strapped to your body, it's natural that i should think of you as the correct time: with your long blonde hair at 8:03, and your pulse-lightning breasts at 11:17, and your rose-meow smile at 5:30, i know i'm right.
Yet come to me in dreams, that I may live My very life again though cold in death; Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago
Our worlds needs more time to wonder and reflect but there is too much fast paced constant distraction.
There are so many different worlds in Long Island. That's why it's so fascinating. Between Great Neck and Montauk, there are 10,000 worlds.
You gotta look beyond the mainstream... the mainstream'll drown you, you know? There's always a pulse in the underground that I love. And the pulse in the underground is what keeps heavy metal alive.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
If you're a writer and you are at all inclined to speak as a Christian in some way, you realize very quickly that the conventional language is pretty much useless. It takes a long time to get past that, or it has taken me a long time. People in conventional Christianity have spoken lightly and sometimes frivolously of God for a long time. It's a word that needs to be used sparingly, in my opinion.
E! needs to be and really wants to be the pulse of popular culture.
The common root, of course, comes out of Africa. That's the pulse.The African pulse. It's all the way back from . . . the old slave chants and up through the blues, the jazz, and up through rock. And it's all got the African pulse.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
I wouldn't be able to do the songs as long as I've been doing if I didn't feel the pulse of the world. But I can feel people and I know what they want. I feel like I know how they are, because I am the people. And I just have a gift.
I do believe there is someone out there for everyone. I don't know what is taking him so long, he needs to find his way to me, it is about time.
As long as you are in the relative worlds, you should be realistic and know there is winning and losing here.
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