A Quote by George Johnson
Whenever you read a book or have a conversation, the experience causes physical changes in your brain.
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Whenever you read a book or have a conversation, the experience causes physical changes in your brain. It's a little frightening to think that every time you walk away from an encounter, your brain has been altered, sometimes permanently.
We are cyborgs already. If you learn to read, it causes permanent changes to the structure of your brain for your entire life.
When you read a great book at one point in your life then in another part of your life, when you read the same book, it's like it was just written because now what you bring to the experience is so much richer.
When you read a book, the neurons in your brain fire overtime, deciding what the characters are wearing, how they're standing, and what it feels like the first time they kiss. No one shows you. The words make suggestions. Your brain paints the pictures.
For me, it's really important that the experience of art is always something that is able to provoke strong emotion, an emotion that you feel in your heart or your stomach, but also that challenges the brain at the same time. It's an experience - physical and intellectual.
We're not in the physical world. The physical world is in us. We create the physical world when we perceive it, when we observe it. And also we create this experience in our imagination. And when I say "we," I don't mean the physical body or the brain, but a deeper domain of consciousness which conceives, governs, constructs and actually becomes everything that we call physical reality.
Your very eyes. How they have always been for me the command to obey, the inviolable and beautiful commandment. No, no, I'm not telling lies. Your appearance in the doorway! ... You have been my body's health. Whenever I have read a book, it was you I was reading, not the book, you were the book. You were, you were.
It used to be thought that you stopped making new neural connections in your youth and from then on your brain was fixed and it was downhill all the way. But in fact as we know from our own experience we can keep on learning and learning means changing our brain on a physical level.
You are in physical existence to learn and understand that your energy, translated into feelings, thoughts and emotions, causes all experience. There are no exceptions.
Everything I am going to say to you is the child of a conversation. [...] That is the aspect of conversation that particularly excites me: how conversation changes the way you see the world, and even changes the world.
I always wonder: the images that hit your brain when you're young are so significant, because there's not that much information in your brain. As you get older, things just bounce off. I can remember these minute details of stupid TV shows from the '70s, and I can't remember a book I read yesterday.
I cannot read on a Kindle. I love the physical experience of holding a book, cracking it open, and the process of making the right half weigh less than the left half. I only read hardcover books because I like the resistance and the presence on a bookshelf.
Every time you hear someone read your book and liked your book, you're never sure whether that's going to follow with a similar remark from someone else. Perhaps I have low expectations, but whenever I hear someone say, 'I liked your book,' I don't know if it's going to happen again.
Reading ... changes you. You aren't the same person after you've read a particular book as you were before, and you will read the next book, unless both are Harlequin Romances, in a slightly different way.
As we breathe and live, have a conversation, and you look in someone's eyes, and you see a sunset or have an argument or read a book or see a painting or whatever you do, it influences you. And as you live your art, it changes and grows just like you and your soul or whatever you want to call it. For me, it's never-ending, I call it "the organizer of chaos." That's what I do with this and I present it in a way that I dream. So basically, I'm just sharing my dreams with all of you.
There's a certain kind of conversation you have from time to time at parties in New York about a new book. The word "banal" sometimes rears its by-now banal head; you say "underedited," I say "derivative." The conversation goes around and around various literary criticisms, and by the time it moves on one thing is clear: No one read the book; we just read the reviews.
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