A Quote by George Kotsiopoulos

The weight of a fabric is inconsequential, since seasonal dressing is all about layering. — © George Kotsiopoulos
The weight of a fabric is inconsequential, since seasonal dressing is all about layering.
Layering and changeability: this is the key, the combination that is worked into most of my buildings. Occupying one of these buildings is like sailing a yacht; you modify and manipulate its form and skin according to seasonal conditions and natural elements, and work with these to maximize the performance of the building.
I was completely fascinated by the studio process and layering sounds and creating soundscapes out of layering massive squalls of sound.
I've always been interested in masking, layering, dressing up and beautifying yourself and what that meant to black women. I've always wanted to make things that I haven't seen before.
Every time someone starts talking about weight, it takes away from the fight. No one is born at that weight. We grew into that weight. It is all about the challenge, more so than the weight.
I'm obsessed with Starbucks seasonal flavors. I love their seasonal cups. I love their pumpkin-flavored coffee. I love that. I absolutely love, love, love Starbucks seasonal everything.
And that taught me you can't have anything, you can't have anything at all. Because desire just cheats you. It's like a sunbeam skipping here and there about a room. It stops and gilds some inconsequential object, and we poor fools try to grasp it - but when we do the sunbeam moves on to something else, and you've got the inconsequential part, but the glitter that made you want it is gone.
Doubtless these are inconsequential perplexities. Still, inconsequential perplexities have now and again been known to become the fundamental mood of existence, one suspects.
We are individual designs in the fabric of life. We have our own integrity, but simultaneously we are part of the fabric, connected to and defined by the whole. Community is the human dimension of that fabric.
When 'Brain on Fire' premiered at the Toronto Film Festival in 2016, I fixated on inconsequential things like what dress I would wear and how much weight I wanted to lose. I lost my perspective.
I was literally the last Jazz player left who played under Coach Sloan - and I always took that as a lot more than just some piece of trivia. That was something that truly made me feel like a part of the fabric of this franchise. And that fabric is something that has meant a lot to me, ever since.
The truth is that it’s not about the weight. It’s never been about the weight. When a pill is discovered that allows people to eat whatever they want and not gain weight, the feelings and situations they turned to food to avoid will still be there and they will find other more inventive ways to numb themselves.
Just because your body is losing inches doesn't mean you're losing weight or vice versa. It's not about the weight: it's about building lean muscle, which is going to increase your metabolism and then allow you to lose weight quicker.
There's nothing sexy about doing a nude scene. It's rather uncomfortable. I like dressing up rather than dressing down.
People buy very badly made furniture and fabric. Instead, buy a beautiful dining table, well-made upholstery. It's almost like dressing for success.
Since weight training involves repetitions, a great deal of energy must be exerted. Therefore, weight training should be practiced only every other day.
The really great thing about my shop is that there's not one dead animal in it. ... Manolo's got a load of fabric shoes as well! We use plastic, fabric, rubber- anything but leather. I almost feel like I've been put here to show everyone that it's unnecessary.
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