A Quote by George L. Carlson
If you don't know how to look, you'll end up putting down the wrong things, which only dilutes or cancels the power of your artwork.
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In putting everyone else down, I am raising myself up... and this will continue until my self-esteem rises. I have just sorted out the mystery of why I am always putting down everybody else's artwork.
A person is wise who does not only know what is right and wrong, but also he knows very well his own power not to do something wrong. He just does not do it. Wisdom is a complete power within ourselves by which we try nothing. It just spontaneously works through us and we do things which are proper and right.
You don't want to try to look younger, because you'll look wrong. You dye your hair, you look wrong. You wear a bad toupee, you look wrong. You wear makeup to hide things, you get your eyes done, you look wrong.
It’s funny how the good things are all tied up with the bad. Sometimes it’s hard to tell which is which. But either way, you end up taking your sugar with your salt and your kicks with your kisses.
As playwrights, as poets, we have to look to ourselves, listen to our guts for the final answers about what changes to make. Everyone has advice about how to end your play differently. And it's not about right or wrong. At the end of the day, it's your baby and you know what's best.
Forget about willpower. It's time for why-power. Your choices are only meaningful when you connect them to your desires and dreams. The wisest and most motivating choices are the ones aligned with that which you identify as your purpose, your core self, and your highest values. You've got to want something, and know why you want it, or you'll end up giving up too easily.
You should know how terrible a power belief is, especially in the wrong hands -- and how do you tell which hands are wrong? Believe something and the Universe is on its way to being changed. Because you've changed, by believing. Once you've changed, other things start to follow.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
When you are a successful footballer, you get put on a pedestal. You are the person your friends and family look up to, and they do not know how to approach you when things are going wrong, even when you just need someone to reach out to you and ask you if you are all right.
I keep having the urge to cross my hands over my chest, to cover up my breasts, to hide. I'm suddenly aware of how pale I look in the sunshine, and how many moles I have spotting up and down my chest, and I just know he's looking at me thinking i'm wrong or deformed. But the he breathes, 'Beautiful' and when his eyes meet mine I know that he really, truly means it.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
I wonder where you got that idea from? I mean, the idea that it's feeble to change your mind once it's made up. That's a wrong idea, you know. Make up your mind about things, by all means - but if something happens to show that you are wrong, then it is feeble not to change your mind, Elizabeth. Only the strongest people have the pluck to change their minds, and say so, if they see they have been wrong in their ideas.
I think you're a product of your influences, your environment. You see guys with so much talent, but they got the wrong people around them telling them the wrong things. They wind up going down the wrong path.
People hate me for whatever reasons they come up with, or they hate me because their friends said they should. What can I do about it? What can I do about people who look at things the wrong way? At the end of the day it's like, 'You're wrong, I'm just a skateboarder. How can I help you?'
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