A Quote by George M. Cohan

As a composer I could never find use for over 4 or 5 notes in any musical number, and as a playwright most of my plays have two acts because i couldn't think of an idea for the third act.
Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
An mp3 is a compressed form of data. It's not the full spectrum. It's never going to sound as good as a record. I think one thing people forget is that every technological advance we fetishize had its place in time. CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression. Side one and side two? That's a product of vinyl. But that's not necessarily dramatic form - you could argue that that was three acts.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
The idea of a rupture between acts occurs in a number of my plays.
Only if the third necessary thing could be given us. Number one, as I said: quality of information. Number two: leisure to digest it. And number three: the right to carry out actions based on what we learn from the interaction of the first two.
We cannot afford to be idle. To act on a bad idea is better than to not act at all. Because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand, and pray will not be extinguished by all the storm that howls about it. If you could hold onto that flame, great things could construct around it, that are massive and powerful and world changing, all held up by the tiniest of ideas.
I'm not in "Bend and Snap." But, I will say that when I first heard they were making Legally Blonde into a musical, I thought, Well, of course, there's going to be a bend and snap number, because it's just, I think, one of the most natural moments in the movie to expand into a musical number.
One-third of the planet's population, over two billion people, has never heard the gospel. And of that number, over 50,000 die daily, separated from God forever.
I'm probably most proud of the plays that I've written just because as the playwright, you know, you're God. You get to do everything. You don't make any money hardly at all, but you really get to kind of control the scene.
In grammar school I read 'Act One' by Moss Hart, and being a playwright struck me as the most magical and romantic career anyone could have... But I never did write a play.
When we worked on Ice Cube's Amerikkka's Most Wanted album. Before we talked studios, beats, or lyrics, I said, "Two rules: Only say what you're able to vouch for. Number two, never repeat yourself twice, because we makin' an album that people will play over and over.
This is a really good circus. It has lions, tigers, dogs, monkeys and about any other animal act you can think of. There are a lot of great acts, and it's a two part, two hour show.
We are going to die, and that makes us the lucky ones. Most people are never going to die, because they are never going to be born. The number of people who could be here, in my place, out number the sand grains in the Sahara. If you think about all the different ways in which our genes could be permuted, you and I are quite grotesquely lucky to be here. The number of events that had to happen in order for you to exist, in order for me to exist... we are privileged to be alive and nd we should make the most of our time on this world.
...there's never a garden in all the parish but what there's endless waste in it for want o' somebody as could use everything up. It's what I think to myself sometimes, as there need nobody run short o' victuals if the land was made the most on, and there was never a morsel but what could find it's way to a mouth.
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