A Quote by George MacKay

Glasgow's really friendly, with this impressive mix of real solidarity and identity that's very personal. — © George MacKay
Glasgow's really friendly, with this impressive mix of real solidarity and identity that's very personal.
I felt very isolated with my identity virtually my entire life, that nobody really got it and that I didn't really have the personal agency to express it.
Identity is very personal...identity is political. My identity is what is and it is what it's gonna be. And I don't think that any information will change that profoundly...I [already] know that I am a Black woman, and a Black woman who has mixed some heritage, like most African Americans.
It's surreal, Glasgow. It's got a really black sense of humor and I remember being envious of John Glazer beating me to it on the sci-fi in Glasgow with 'Under the Skin.'
The memoir was a very personal book. I wrote it as a personal journey and search about who my father was and how my family had come together and come apart - sorting all that out, you know, issues of personal identity.
Solidarity is not a matter of sentiment but a fact, cold and impassive as the granite foundations of a skyscraper. If the basic elements, identity of interest, clarity of vision, honesty of intent, and oneness of purpose, or any of these is lacking, all sentimental pleas for solidarity, and all other efforts to achieve it will be barren of results.
Glasgow is less polite than Edinburgh but that's a good thing - they keep it very real.
I felt very isolated with my identity virtually my entire life, that nobody really got it and that I really didn't have the personal agency to express it, i kind of imagined that maybe at some point (I'd have to) own it publicly and discuss this kind of complexity.
I don't like to mix my personal and professional life. Both are different, and I don't mix it.
Bollywood has got this rare quality where it dances, but it still has a depth of a sad song at the same time. It's really strange. They kind of manage to do two things at once. We do a ballad, or a dance song, and it's very difficult. They kind of mix those two things together. It's pretty impressive, beautiful music.
I have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.
All over the world today people have a very strong desire to find a sense of identity, and at the same time that's coupled with the rise of absolutely absurd wars that relate to ethnic identity. Perhaps there is something deeply ingrained in people that relates to a sense of belonging, and without that, identity doesn't seem as real as it should.
A very, very impressive director, Tomas Alfredson. It's only his second film [ 'Tinker Tailor Soldier Spy'], but he's a real find.
I really liked Glasgow. I really liked living there for a year. It's a very fun city, and it has a lot to offer young people who are interested in music and art. It's a very creative city.
The Crows are very handsome and gentlemanly Indians in their personal appearance: and have been always reputed, since the first acquaintance made with them, very civil and friendly.
I've been writing a lot of songs about my personal life and identity. That can be a real healing process.
Like the Pentagon, our social science often reduces all phenomena to dollars and body counts. Sexuality, family unity, kinship, masculine solidarity, maternity, motivation, nurturing, all the rituals of personal identity and development, all the bonds of community, seem "sexist," "superstitious," "mystical," "inefficient," "discriminatory." And, of course, they are -- and they are also indispensable to a civilized society.
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