A Quote by George Matthew Adams
Beauty of expression is so akin to the voice of the sea.
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Yet in the blood of man there is a tide, an old sea-current, rather, that is somehow akin to the twilight, which brings him rumours of beauty from however far away, as drift-wood is found at sea from islands not yet discovered; and this spring-tide or current that visits the blood of man comes from the fabulous quarter of his lineage, from the legendary, of old; it takes him out to the woodlands, out to the hills; he listens to ancient song.
For he who would proceed aright... should begin in youth to visit beautiful forms... out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another, and that beauty in every form is one and the same.
It’s tricky when you’re doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don’t have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
George has left in his songs, in the transcendent beauty of his voice, and in the poetic expression of his soul, the very best of himself.
No reason can be asked or given why the soul seeks beauty. Beauty, in its largest and profoundest sense, is one expression for the universe. God is the all-fair. Truth, and goodness, and beauty, are but different faces of the same All.?
But the beginning of things, of a world especially, is necessarily vague, chaotic, and exceedingly disturbing. How few of us ever emerge from such beginning! How many souls perish in its tumult! The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
The power of the voice in rap is about the expression of truth, rather than the expression of some kind of artifice.
The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
But beauty is set apart,
beauty is cast by the sea,
a barren rock,
beauty is set about
with wrecks of ships.
And yet--it is not beauty that inspires the deepest passion. Beauty without grace is the hook without the bait. Beauty, without expression, tires.
But beauty, real beauty, ends where an intellectual expression begins.
Nowhere in this country, from sea to sea, does nature comfort us with such assurance of plenty, such rich and tranquil beauty as in those unsung, unpainted hills of Pennsylvania.
There is an expression-walking with beauty. And I believe that this endless search for beauty in surroundings, in people and one's personal life, is the headstone of travel.
If pity is akin to love, gratitude is akin to the other thing.
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