A Quote by George Michael
I want to make a pop album - something more upbeat than my stuff was in the '90s.
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I still want to make a pop record. I want to make a more sonically current pop record. I maybe want to make people move a little bit more.
I have no plans to get an iPad. I know it will do more things than my Kindle, but I don’t want more things. If I want other stuff - movies, TV shows, weather forecasts, the forthcoming Josh Ritter album - I have my Mac.
Live we're a lot louder and noisier on the album. I think for the album we took a lot of time for the songwriting and we wanted to make good pop music, and I think there's plus and minuses to doing pop music and noise.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
I think there's a lot more to pop than just sugarcoated indie pop. Maybe to me it's something that's accessible, catchy, something people can remember.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
If you create something, it really should mean something more than that to you. I had to grow into all of this though, through a learning process. I didn't wake up one day and just say, 'Yeah, that's Jlin, there it is'. That's why I said it took my entire life to make this album and it comes back to having that comfort zone - if you don't have one, the more progress you make and the more creative you become over time.
When I want to put out an album, I want to write it. I want to be able to say that I wrote my album, and all this stuff is from me.
I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.
If I'm honest, my heart and my belly are saying that you're more likely to find me in a greasy spoon than a pop-up, but some of this pop-up stuff is great!
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
I grew up listening to Nirvana and then went through some bad '90s pop stuff - a lot of Australian one-hit wonders.
I grew up listening to Nirvana, and then went through some bad 90s pop stuff - a lot of Australian one-hit wonders.
There's nothing more painful than something that's superficially upbeat but you can kind of tell behind it that there's a cynicism, or even a bitterness.
I don't want to make some super cliche comment about how much more acceptable gaming is. I think it was always acceptable for me and my peers. But I think it's become more so in pop culture, media, stuff like that - people with money have discovered that they can make money by marketing to us.
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