A Quote by George Michael
In the very early days of Wham! the attention felt great, but I do wonder how much freedom I gave away by trying to become something I wasn't.
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I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.
Some guys said 'Here's bop!' Wham! They said, 'Here's something we can make money on!' Wham! 'Here's a comedian!' Wham! Here's a guy who talks funny talk!'
John [Cassavetes] loved actors. He gave them a lot of freedom. So if something came up that a certain actor just felt at the moment and said - that kind of improvisation he would accept. He gave very little direction.
It's quite simple: I managed it by doing away with Wham!'s duo image. Obviously, the way I looked changed and that helped a little, but I still have a very pop image. It's a very video-friendly image. I find it a lot more real. It's a lot closer to who I am than the whole Wham! thing.
I had very little fear about it, but basically, my straight friends talked me out of it. I think they thought as I was bisexual, there was no need to. But it's amazing how much more complicated it became because I didn't come out in the early days. I often wonder if my career would have taken a different path if I had.
It is amazing how, when all possibilities seem to be taken away from you, the minutest opening can become a great freedom.
For me, my criteria for making films is all about trying to do something different from the last time. So if I catch myself doing too much of one thing, I'm always trying to move away from that, because it's not going to be challenging enough to keep my attention and focus.
The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.
I tried too much and too hard to get people to pay attention to what I was doing, and so paying less attention to what I actually wanted to do. It's something you see a lot with very young bands who are desperate to get a record deal so they're trying to sound like something else.
You don't become great by trying to be great. You become great by wanting to do something, and then doing it so hard that you become great in the process.
In the early days, I had everything to prove. A very working class lad with a burning ambition. A very crude way of measuring success is how much you are worth.
I'm sort of an 'automatic' writer. I'm not much for chiseling away at songs or working at them for days trying to make them perfect. If I can sit down and write something in five minutes, then that's great. And if that doesn't happen, then either it doesn't get finished or else it's usually not any good.
In my early days, fashion was considered a very high risk industry. The failure rate is very high. Trying to get capital and trying to find people who specialize in that industry is very difficult too.
There's so much fear involved in trying to do something you don't know how to do that drugs and alcohol can become a big part of your life if you have an addictive personality or are very unsure, which most songwriters are.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
When it comes to how much attention something gets or how much attention it draws, I really kind of just try to expect nothing at this point. Whatever it turns into, it turns into.
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