A Quote by George Mikes

The Art of Conversation could not die in Australia; it never lived. Television did not kill it; there was nothing there to kill. — © George Mikes
The Art of Conversation could not die in Australia; it never lived. Television did not kill it; there was nothing there to kill.
Radio did not kill books and television did not kill radio or movies - what television did kill was cinema newsreel. TV does it much better because it can deliver it instantly. Who wants last week's news?
The invention of gas and electric heaters has not meant the end of fireplaces. Printing did not end penmanship, television did not kill radio, movies did not kill theatre, and home videos did not kill movie theaters, although all these things were falsely predicted.
I couldn't kill a chicken, I couldn't kill a cow - I was a vegetarian too at that time - so I thought, well what is there that I could kill? I couldn't kill this and I couldn't kill that.
We kill the women. We kill the babies. We kill the blind. We kill the cripples. We kill them all.... When you get through killing them all, go to the goddamn graveyard and kill them a-goddamn-gain because they didn't die hard enough.
How could it be that I had a legal obligation to kill people I did not know, and who did certainly not consent to it, while my father's doctor could not help my father to die when my farther asked for it? My consternation brought me to moral philosophy and a life-long search for an answer to the question when and why we should, and when we shouldn't, kill.
I don't know and I don't care anymore. I was supposed to have my way for once, just once in my life. I did everything right and I got nothing for it. I want to kill them all. no, better yet, I want to die. No, even bettter than that: I want to kill them all then die.
A battle is a terrible conjugation of the verb to kill: I kill, thou killest, he kills, we kill, they kill, all kill.
The Vietnamese have a secret weapon. It's their willingness to die beyond our willingness to kill. In effect, they've been saying, You can kill us, but you'll have to kill a lot of us; you may have to kill all of us. And, thank heaven, we are not yet ready to do that.
you can't kill love. you can't even kill it with hate. you can kill in-love, and loving, and even loveliness. you can kill them all, or numb them into dense, leaden regret, but you can't kill love itself. love is the passionate search for a truth other than your own; and once you feel it, honestly and completely, love is forever. every act of love, every moment of the heart reaching out, is a part of the universal good: it's a part of God, or what we call God, and it can never die.
Why you kill me? I never did you anything. Not kill me! I beg not to be locked up. Never let me out of my prison - not kill me! You kill me before I understand what life is. You must tell me why you locked me up!
He described to me how crocodiles kill more people than sharks. There are just a lot of things in Australia that can kill you.
Many people are very, very concerned with the children in India, with the children in Africa where quite a number die, maybe of malnutrition, of hunger and so on, but millions are dying deliberately by the will of the mother. And this is what is the greatest destroyer of peace today. Because if a mother can kill her own child - what is left for me to kill you and you kill me -- there is nothing between.
You kill people you hate or you kill in rage or you kill to get even, but you don't kill someone you're indifferent to.
The greatest destroyer of peace is abortion because if a mother can kill her own child, what is left for me to kill you and you to kill me? There is nothing between.
Children do have the potential to kill art. But now I think they kill the bad art. At least that is what my son has done for me.
So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood, - by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know.
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