A Quote by George Monbiot
Wildlife film-makers I know tell me that the effort to portray what looks like an untouched ecosystem becomes harder every year. They have to choose their camera angles ever more carefully to exclude the evidence of destruction, travel further to find the Edens they depict.
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I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.
If you ask most wildlife film-makers or biologists what the greatest wildlife spectacle on Earth is, they'll say wildebeest migration or the Great Barrier Reef - but to me it's in Alaska is the summer.
I do like being in front of the camera more and more. Having experience behind it has taught me about lighting and angles, how to move, and what looks good and what doesn't.
Skating becomes more important to me every year. It's obviously harder as age takes a toll on the body and the brain, and I think because of that, competing becomes much more difficult. That's why those who stick around are always so appreciative of others' skating because we know how much work goes into it.
The biggest thing is to create a product that consumers find useful. As more and more people like something, it becomes harder and harder to have a conspiracy theory about it.
I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to you. It's trial and error and disappointment before you find, slowly but surely, the confidence to express your film-making identity.
Of course, you do not do any research: you have to go there and do your film. It's not that I would travel there before without a camera and spend half a year on one of those volcanoes and then come back with a camera. You have to have some sort of a clear mindset.
We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation.
Under examination by the camera, a human body becomes for its inhabitant a field of betrayal more than a ground of communication, and the camera's further power is manifested as it documents the individual's self-conscious efforts to control the body each time it is conscious of the camera's attention to it.
You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He does both and I think he's going to be one of the film-makers that our time is remembered for.
As you deal with more and more complex systems, it becomes harder and harder to find deep and interesting properties.
Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.
I think we choose gear by the way that it looks. We choose lots of things by the way that it looks. I don't like bands that look like roadies. I don't like when I can't tell who's the guitar tech and who's the guitar player.
I feel less and less like that every year, and I guess maybe even more so with every new record that I put out. I just think, as the years go by, it's harder and harder to really find a reason to be annoyed that you made something that people want to continuously talk about. Certainly there are contexts in which the record can be discussed which will get me on the defensive and make me want to put some kind of calibration or some kind of context on what the record means in relation to my career as a whole.
To me photography can be simultaneously both a record and a mirror or window of self-expression the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.
When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies to what's interesting to me at that stage in my life.
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