A Quote by George Monbiot
I might find myself standing, transfixed, by the roadside, watching a sparrowhawk hunting among the bushes, astonished that other people could ignore it. But they might just as well be wondering how I could have failed to notice the new V6 Pentastar Sahara that just drove past.
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In real life, we are all on our devices. We might go to a place where we fit the crowd and could meet someone. But, because we are all on our phones, you might not notice the cute boy behind you in line for coffee, and he's not going to notice the gorgeous girl sitting outside. So, we might as well notice them on our phones, on Tinder.
You're responsible for your own character to a degree, because when it comes to the final draft of the script, you might say, "Well, I think maybe I could add this here, add that there." But I find that I write just as well for the other characters as I do for myself. I think.
If you find your truth you must follow it. You could find it in a paper bag, or in a statue, or in a slaughterhouse; you might find it dangling somewhere. People might say, What the heck are you doing? but its ok if they dont understand. And if you follow it, stay true to it, and respect it, you could be in store for the greatest journey you could ever imagine.
I think the most important advice is, a person doesn't have to find out right away. It's not like their first attempt at finding a profession is the only one they're going to find. I might well have gone down other paths, and it still might have been okay. But if you find something that you love, and if it keeps deepening with each new experience, then just stay with it.
You could be in a room with somebody you don't realize you're in a room with and that first impression or something that you give off might be appreciated by someone or it might not. I'm always just being mindful of you never know who's watching.
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
Creating my own roles, as an actor, is great. You're so at the mercy of other people, and you're waiting for a job. That's just a horrible way to live, so I just decided to take matters into my own hands, find my own projects, and create them myself, and then do other stuff that people might throw my way as well.
Yes, the sound of the new V6 engines could have been a little bit better, but it is just one of those things that you get used to with time.
When you are part of a massive TV show like Strictly,' it's not just about the professional dancers and celebrities taking part, there could be young or old people out there who are watching and they might also be inspired to take up dancing, and I find that so special.
I think my attitudes about the past are very traditional. You can't ignore history; you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
The British could leave and half India wouldn't notice us leaving just as they didn't notice us arriving. All our reforms of administration might be reforms on the moon for all it has to do with them.
You couldn’t get rid of the past. You couldn’t ignore it, or bury it, or throw it over the balcony. You just had to learn to live beside it. It had to peacefully co exist with your present. If I could figure out how to do that, I could be okay.
If love could force my own thoughts over the edge of the world and out of time, then could I not see how even divine omnipotence might by the force of its own love be swayed down to the world? ...how it might, because it could know its own creatures only by compassion, put on mortal flesh, become a man, and walk among us, assume our nature and our fate, suffer our faults and our death?
I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.
I'm just attracted to playing people who are ostensible unlikable. That's not to say that there's something in there that makes you care. It might be that you just find them so awful that you just can't stop watching, like a car crash.
God, I loved him. I could insist I was okay with just being friends, that I'd find someone else and get over him, but I was fooling myself. There was no getting past this. I loved him, and fifty years from now we could be married to other people, never exchanged so much as a kiss, and I'd still looking into his eyes and know he was the one. He'd always be the one.
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