A Quote by George Murray

I no longer feel pressure to produce fiction. — © George Murray
I no longer feel pressure to produce fiction.
I've felt pressure to produce long fiction for as long as I've been writing fiction. There's just an incredible bias in the publishing industry toward novels and away from short stories. They're seen as D.O.A. in the marketplace, which seems nuts to me, given that various collections done smashingly and deservedly well in economic terms.
I don't feel pressure in a negative way. I like pressure. I feel excitement and calm at the same time. No pressure, no diamonds. I want pressure: pressure creates drama, creates emotion.
I feel like I have reached the stage where I can no longer produce for my club, my manager, and my teammates. I had a poor year, but even if I had hit .350, this would have been my last year. I was full of aches an pains and it had become a chore for me to play. When baseball is no longer fun, it's no longer a game.
I feel pressure every day. It is only pressure that I put on myself, but I would expect all professional sportspeople to feel pressure to perform their best whenever they are at work.
In some ways I spend longer at non-fiction because there are a lot of different threads to bring together. But non-fiction is more reflective than immersive. The problem with fiction sometimes is that you have to leave the real world to enter the fictional one. And that takes so much, goes into your head for so long?.?.?.?I don't know, I just feel less inclined toward that these days, and more inclined to remain in my own life. I do like really good fiction, but it's getting harder to hold my attention in a novel.
Prose gets divided up into fiction and nonfiction and short fiction and long fiction and autobiographical nonfiction and so on. Poetry can do any of those things except with the added definition of intensified formal pressure.
I feel like I have reached the stage where I can no longer produce for my club, my manager, and my teammates.
I no longer feel the pressure of trying to write hits for the radio anymore.
I feel pressure as a fan. I don't really feel pressure from the fans, if that makes sense. I worked on other movies, like the X-Men movies, that have big fan followings. And if you start to get lost in those voices, you will be completely lost. I feel the pressure of the 6-year-old me.
The idea of the writer who writes nineteen novels, with various ups and downs and levels of experimentation, isn't around so much now. There's a focus, I think, on fewer books, with more pressure on each book to succeed. With that there comes, I think, a certain pressure towards shapeliness in fiction. Towards neatness. And I think writers feel that, and it can effect how they write.
I like pressure. Pressure doesn't make me crack. It's enabling. I eat pressure, and there might be times when I get a bad feeling in my gut that this might be too much, but you feel pressure when you're not doing something, you know?
It seems that fiction no longer produces work that makes one feel the human condition deeply.
Denial is the lid on our emotional pressure cooker: the longer we leave it on, the more pressure we build up. Sooner or later, that pressure is bound to pop the lid, and we have an emotional crisis.
The next time you feel slightly uncomfortable with the pressure in your life, remember no pressure, no diamonds. Pressure is a part of success.
Pressure is a combination of expectations, scrutiny and consequences. If the consequences are grave, then you feel more pressure and if you feel more pressure you learn how to cope with that.
How you handle peer pressure - the pressure your children feel as well as the pressure you feel - in the early years will play a significant role in how your children handle peer pressure when they become adolescents.
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