A Quote by George Murray
I don't think there's anything wrong with someone having to read a poem twice. Or even a book.
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A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.
Someone — Cyril Connolly? Ezra Pound? — once said that anything that can be read twice is literature; I would say that anything that bears saying twice is quotable.
I am personally not a lover of audiobooks in general, and I am indeed one of those people who don't count listening to a book being read by someone else as actually having read that book. It simply is not reading.
A writer writes a book. People read it. You don't know what they're reading, really. You read a review and think, "That is so inaccurate. You can't have been reading my book with any kind of attention, because that is all wrong, that's even the wrong name you're including there." But these reviewers have been diminished in importance, the work is so little respected. If you're reviewed by a real critic, by James Wood or Louis Menand, then you get something that is informed, interesting, and highly articulate. But the average review doesn't have that kind of depth anymore.
I keep feeling that there isn't one poem being written by any one of us - or a book or anything like that. The whole life of us writers, the whole product I guess I mean, is the one long poem - a community effort if you will. It's all the same poem. It doesn't belong to any one writer - it's God's poem perhaps. Or God's people's poem.
I think that poetry is an act of celebration, that anytime you're writing a poem, it means that you're celebrating something, even if it's a sad poem, if it's an angry poem, a political poem or anything at all. The fact that you're taking the time and energy to pick up this thing and hold it to the light, and say, "Let's take some time to consider this," means that you've deemed it worthy enough to spend time on - which, in my opinion, is celebrating.
The book on my nightstand right now isnt anything that inspired me, but it entertained me. I read a book on Labor Day, it was a holiday, and I have three daughters, and we all went to the shopping mall and I sat on the bench and read a book while they shopped, it was called The Greatest Golfer there Ever Was, it was a great book, easy to read and entertaining.
The sages are often ignorant of physical science, because they read the wrong book-the book within; and the scientists are too often ignorant of religion, because they too read the wrong book-the book outside.
I never read. I've never read one book... I just can't do it. Something's wrong with me. I have what they call now is 'ADD,' like I'll read and all of a sudden I'll be thinking about shopping or... I'm not there. I drift off. I get crazy, so I don't even bother.
I read a book twice as fast as anybody else. First, I read the beginning, and then I read the ending, and then I start in the middle and read toward whatever end I like best.
In a sense, one can never read the book that the author originally wrote, and one can never read the same book twice.
Almost any poem has to be read twice, first for strangeness, second for clarity.
I began composing the next poem, the one that was to be written next. Not the last poem of those I had read, but the poem written in the head of someone who may never have existed but who had certainly written another poem nonetheless, and just never had the chance to commit it to ink and the page.
The truth is, I can’t read anything with any distance. Every book is a self-help book to me. Just having them makes me feel better.
I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.
I think you should read everything you can. In my case, by the age of 10, I'd read every book in the Omaha public library about investing, some twice.
You need to fill your mind with various competing thoughts and decide which make sense.
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