A Quote by George Nakashima
A tree is our most intimate contact with nature.
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Talk of mysteries! — Think of our life in nature, — daily to be shown matter, to come in contact with it, — rocks, trees, wind on our cheeks! The solid earth! The actual world! The common sense! Contact! Contact! Who are we? Where are we?
Our own economy tells us to take as much as we can get, right? Our own economy says, you're going to be the most successful graduate if you go into the business world and take as much you can get. That's not how nature works. Nature has a much simpler economy. Everything in nature takes what it needs. That's it. You don't see an oak tree gathering up all the resources. An oak tree takes what it needs to be the authentic oak tree it is.
Our most intimate contact with civilizations long since dust has been through the art which has survived them.
Do you know that even when you look at a tree and say, `That is an oak tree', or `that is a banyan tree', the naming of the tree, which is botanical knowledge, has so conditioned your mind that the word comes between you and actually seeing the tree? To come in contact with the tree you have to put your hand on it and the word will not help you to touch it.
Our most intimate friend is not he to whom we show the worst, but the best of our nature.
The seed of a tree has the nature of a branch or twig or bud. It is a part of the tree, but if separated and set in the earth to be better nourished, the embryo or young tree contained in it takes root and grows into a new tree.
The willow is my favorite tree. I grew up near one. It's the most flexible tree in nature and nothing can break it - no wind, no elements, it can bend and withstand anything.
Hopefully, film inspires you to think about human nature. It make us consider how we treat strangers and our most intimate.
Today the human race is a single twig on the tree of life, a single species on a single planet. Our condition can thus only be described as extremely fragile, endangered by forces of nature currently beyond our control, our own mistakes, and other branches of the wildly blossoming tree itself. Looked at this way, we can then pose the question of the future of humanity on Earth, in the solar system, and in the galaxy from the standpoint of both evolutionary biology and human nature. The conclusion is straightforward: Our choice is to grow, branch, spread and develop, or stagnate and die.
My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.
We can see from the experience of Odin that the image of the tree was the template within which all of the sacred world could be apprehended. The tree was the framework within which one "flew" to these Otherworlds. And since the exploration of sacred space was also a quest into the nature of human consciousness, the tree was regarded as an image of the ways in which we, humans, are constructed psychically. It was a natural model for our deepest wisdom, our highest aspirations.
The intimate rapport with nature is one of the most precious things in life. Nature is indeed very close to us; sometimes closer than hands and feet, of which in truth she is but the extension. The emotional appeal of nature is tremendous, sometimes almost more than one can bear.
A close contact with nature has been a focus of my life since childhood and has been my inspiration both professionally and personally. I believe that for most of us, most of the time, it is in the everyday experience of beauty, certainly in nature and in music, that we sense a heaven half-revealed and come closest to the true meaning of reality.
The nature of music is mysterious and so much so that it generates strong emotions within us. It moves along passages that reach the most intimate areas of our psyche without being tried by prejudices or influences of any kind.
I think the stage is set for the appearance of new faiths, centred on the UFO belief. To a greater degree than all phenomena modern science is confronting, the UFO can inspire awe, the sense of the smallness of man, and an idea of the possibility of contact with the cosmic. The religions we have briefly surveyed began with the miraculous experiences of one person, but to-day there are thousands for whom the belief in otherworldly contact is based on intimate conviction, drawn from what they regard as personal contact with UFOs and their occupants.
When we shout at the oak tree, the oak tree is not offended. When we praise the oak tree, it doesn't raise its nose. We can learn the Dharma from the oak tree; therefore, the oak tree is part of our Dharmakaya. We can learn from everything that is around, that is in us.
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