A Quote by George Orwell

It is one of the tragedies of the half-educated that they develop late, when they are already committed to some wrong way of life. — © George Orwell
It is one of the tragedies of the half-educated that they develop late, when they are already committed to some wrong way of life.
For life is terribly deficient in form. Its catastrophes happen in the wrong way and to the wrong people. There is a grotesque horror about its comedies, and its tragedies seem to culminate in farce.
You know we receive an education in the schools from books. All those books that people became educated from twenty-five years ago, are wrong now, and those that are good now, will be wrong again twenty-five years from now. So if they are wrong then, they are also wrong now, and the one who is educated from the wrong books is not educated, he is misled. All books that are written are wrong, the one who is not educated cannot write a book and the one who is educated, is really not educated but he is misled and the one who is misled cannot write a book which is correct.
If crimes are committed, they are committed by people; they are not committed by some free-floating entity. These companies and other entities don't operate on automatic pilot. There are individuals that make decisions - and some make the right decisions, and some make the wrong decisions.
I'm impressed by the way some illustrators develop their images on computers, but it's too late for me to start, and I'm still in love with paper and paint and pencils.
I was educated in line with the basic premise: work work work. You are only a valuable human being if you work. This is utterly wrong. Half working, half dancing - that is the right mixture. I myself have danced and played too little.
When you discover you've been leading only half a life, the other half is going to haunt you until you develop it.
[Propaganda] does not have multiple shadings; it has a positive and a negative; love or hate, right or wrong, truth or lie, never half this way and half that way.
At various stages in my life, I could have stopped, or took the long rest. For some reason, my heart told me otherwise. I just kept going. Half of the time, I wasn't sure where I was heading. The other half, I was probably taking the wrong turns. No matter.
The Greek tragedies and comedies are like a roadmap to all the ways in which trying to live this rich, full life can go wrong. You could get into a war. You could find that you have members of your family on the wrong side of a political crisis. You could be raped. You could find that your child has gone crazy because of some horrible experience she's had.
At least half of every city is wrong. From latitude 30 degrees to latitude 60, say, you've got to have the long axis of the house facing the sun. If the land is cut up into squares, that makes half of all houses wrong if they face the road. Even houses way in the country, and way off the road, face the bloody road. And from there, you just go wronger all the way.
The IWGP title makes me a legend. I've committed half my life to this, and it's worth all the sacrifice. Not only was it worth it, but it was worth it and then some.
I can't speak for the Jewish population, but I attribute my sense of humor to the tragic moments of my life. The best way to overcome certain tragedies is to develop a thick skin and sense of humor about things. Of course, I am very politically conscious and careful about my comedy. But when I do push an envelope, it's with a purpose.
I was a very nice boy. I was well-educated ... very Catholic family. So I was very respectful, never late at work. I was always the last one to leave. It's always been that way in my life.
I'm late to everything. I've always wanted to have it written in my will that when I die, the coffin shows up a half hour late and says on the side, like in gold, 'Sorry I'm Late'.
The way you can recognize to what you are committed to is by your actual results. What you have gotten in life is a direct result (good or bad) to what you have been committed to.
I've always loved writing emotionally rich, character-driven novels that explore the way people fall in love and deal with life's triumphs and tragedies. I enjoy writing the contemporary and historical books equally, though perhaps 'enjoy' is the wrong word.
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