A Quote by George Orwell
The idea really came to me the day I got my new false teeth.
Related Quotes
I don't know how to construct a career that'll make me famous. Except maybe get my ears pinned back, get my teeth done, and go to America. But then I'll be competing with billions of actors who haven't got false teeth, and who are 25.
I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, What else do you want that you don't have already? And I said, I'd like a picture without the sunglasses. He said no and punched me right in the jaw, It was so fast I didn't see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth.
Its a marathon, its not a sprint. Ten years. Fifteen years. You've got to get up everyday, with a new idea, a new spin, and you've got to bring it to work, every day
Aristotle and many others say men have more teeth than women; it is no harder for anyone to test this than it is for me to say it is false, since no one is prevented from counting teeth.
I don't have false teeth. Do you think I'd buy teeth like these?
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
When people ask me, 'When are you gonna stop rhyming?' I don't know when I'm gonna stop rhyming because we all got situations. Even when I get 50 or 60 years old, if God spares my life, if I got false teeth and I'm still rhyming, I have to rhyme about that.
The new friends whom we make after attaining a certain age and by whom we would fain replace those whom we have lost, are to our old friends what glass eyes, false teeth and wooden legs are to real eyes, natrual teeth and legs of flesh and bone.
A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.
The hardest part of gaining any new idea is sweeping out the false idea occupying that niche.
I don't really know where I got my artists idea. The scraps of what I remember do not explain to me where it came from. I only know that by this time it was definitely settled in my mind.
When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
False history gets made all day, any day,
the truth of the new is never on the news
False history gets written every day
...
the lesbian archaeologist watches herself
sifting her own life out from the shards she's piecing,
asking the clay all questions but her own.
The idea that you're completing someone else in a marriage to me is death. That to me is a false start and most of us are usually taught that ... you've got to stand on your own. Then you can build something extraordinary.
Friends came on the road, came on tour, came in my music videos; I got in the studio with them. I'm a really loyal person, and I don't have a really large group of friends, but the people I hang out with I really, really care about, and they continue to be a part of my life.
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
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